Question: Do you agree with Brian Klems that agents don’t like prologues? Brian says only use one if it’s “out of time sequence,” which mine is (it’s also necessary to the story). He suggests, if a writer has a prologue, changing the name to “chapter one,” even if it’s out of time sequence. Would
Stories are, fundamentally, all about conflicts. In most stories, your Protagonist wants something – to change a rule in the government, to avenge a death of a loved one, to hook up with the cutie from band practice, to dispel a witch’s curse – and your Antagonist usually wants something that is in direct opposition
While I’ve spoken at length on how to get an agent, something I haven’t discussed is how to leave one when your relationship isn’t working out any more. I’m not talking about ragequitting because you got told off for bad behavior, or because your book isn’t selling, or because you weren’t an instant and critical success. I’m talking about
Tweet from Katie Crabb: I am making sense of an idea document for a potential new project tonight, and thinking of all the research I would need to do, and all the things I would need to figure out, and it makes me think of seeing people writing drafts in like…a month and honestly?? How???
J.M. Frey, author of THE SKYLARK’S SAGA, in conversation with series editor Kisa Whipkey. Join them as they discuss how the series was first acquired, the decision to split the first book in two, and why they love “enemies to lovers” and slow world-building so much. Warning – contains spoilers for book one of the