Prompt: Fanficcing my own novel (WTH?)

by JM Frey on May 15, 2013

So I got this prompt on Tumblr: What’s your headcanon for a Basil/Gwen/Kalp high school AU thoughts? Or actually any AU, I am fine if they are giant robot pilots or work in a coffee shop or pretty much anything.

 And, oh, gosh, I’ve never thought of an AU for Triptych before.
And then I did.

And… then this happened:

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Triptych – University/Coffee Shop AU.

by J.M. Frey

(As requested by shiftingpath!)

Kalp is uncertain, but his employer says that the dark blue of his work apron makes the green striation markings around his eyes and mouth attract attention. Says that it makes them “jump out”. The manager says this as if it is a pleasant, desired thing, so Kalp pets the apron where it lays across his chest and practices his smile.

Today is Kalp’s first shift working the preparation station alone, and though he would like to practice with the foaming wand several more times, he feels confident that his grasp of English and understanding of the complicated caffeinated beverages is sufficient for the task. It is only that his finger-pads slip against the smooth metal of the prep-canister, which makes his claws shriek against the steel in a way that halts all polite conversation in the café.

Human youths turn to stare at him when he does that. It is not that Kalp is not used to the staring – his kind are not so populous that every human on the planet has seen one like him in the flesh, and so he is very used to ignoring the staring – it is that he loathes to be the center of attention because of a mistake.

To tell truths, he loathes to be the center of attention at all. The option to indulge in his preference to act in a role that is supportive, to hide among the foliage of society, as it were, has vanished. His people are tall compared to the humans, and their bodies are vibrantly coloured. Good for the world from which he came, but very poor for urban camouflage here.

Kalp spends perhaps too much of his time in the university library, in a corner that is quiet and dim, and smells wonderfully of old paper and dancing dust motes. If he closes his eyes, he can pretend that he is in the fiction repository with his intendeds. Maru would be leaning against his arm as he read from the book, reading along over his fingers, and Trus would be sprawled across both their laps. Their scents would be mingled, warm and comfortable, and the beat of their hearts would thrum against his bones, making his own stutter and skip until they were in harmony, a dance of tempo that matched and merged.

Kalp swallows hard and twists his hands in his apron to remind him of where he is. And who is not here with him. Who he will never see again.

The human female that works the cash register is late for her shift. As the manager departs, she enters from the storage entry, tying on her apron as she goes, while simultaneously attempting to tame he queue of her short, curling fur. She is quiet and kind, and her fur is a colour caught between the red sun of his homeworld, the orange sky, and the brown earth that surrounded his mothers’ vegetable patch. It looks like osaps and garden, and her eyes are the blue of his father’s skin. Her name is Gwen, and she, like him, is far from home.

Although, unlike Kalp, she is a student at Bristol University, and he merely works on campus.

“Ready?” Gwen asks, turning the key that opens the money drawer and powering up the calculating machine.

“As I will ever be,” Kalp answers, plucking the phrase from his memory of a television program he watched the evening before in his dormitory common room.

Gwen offers him a white, dazzling smile which makes his stomach warm, pats her fringe down over the scar on her forehead that she thinks he does not know about, and the manager unlocks the front door.

***

“Don’t get me wrong, he can be a massive prick,” Gwen says as they both tidy their stations in the midst of the afternoon lull. “But he’s a cute massive prick.”

“You mean you find him sexually attractive,” Kalp asks by way of clarification.

Gwen’s skin fills with blood, a biological response that signals either growing ardour or shame. In this case, Kalp guesses that the blush is meant to be both.

“Er, yeah,” she says. “And he’s Welsh, you know? The accent is just… yum.”

“I fail to see how an accent can be delicious.”

Gwen laughs, and it is pretty. It tingles across Kalp’s skin and makes his toes curl with ticklish delight. He’s not certain what he said that has triggered this joy in her, but he is willing to catalogue it in order to attempt it again.

“I don’t think I could explain it,” Gwen says.

Kalp takes a moment to inhale the scent of the coffee beans roasting in the back room, and folds, then refolds his cleaning cloth.

“How does one go about courting a human woman?” Kalp asks. He thinks the question is vague enough, hopes it is vague enough, that Gwen doesn’t realize that he has a very specific reason for asking. “I mean to say, how is it done usually? And has your suitor followed the basic protocol to your satisfaction?”

Other humans may laugh and wave off his inquiry. Others have, and often do when he makes such specific requests for clarification, but Gwen merely cants her hips against the side of the counter, folds her hands thoughtfully below her breasts, and considers how to answer.

That is why Kalp is so fond of Gwen; she considers his requests seriously.

“There’s no real right way to do it. You meet, you feel an attraction – physical, sexual, emotional, intellectual – and then you … I don’t know, you do stuff together to see if you fit. You test drive each other, I guess. Sometimes that means just sex. Sometimes that means doing activities together, or sharing meals. Eventually you introduce them to your loved ones, your friends and family, and then if everything still seems compatible, you decide to make it official. Some people move in together, some get married, some have kids… it’s up to you.”

“And then you search for your third?” Kalp asks. “To form your Aglunate?”

Gwen clears her throat and looks away. “Right. No. Um. Mostly a binary system here on Earth. There are, erm, swingers. People who sleep with other people outside of a couple. And, um, what the hell’s the word… poly… poly something. Polyamorists! Anyway, people who love and –slash- or sleep with other people outside of their primary couple. But that’s not… common. I don’t think. I don’t know.”

She is shifting back and forth, moving her weight from one foot to the other, and wringing her fingers. Is she nervous? Uncomfortable? Ashamed? Confused. He wishes he could read human faces better. They are so difficult to decipher.

Kalp digests the implications of her answer for a very long moment. “You are only two.”

“Usually, yeah.”

“Is that not…” he pauses, uncertain how to frame his question.

Gwen cocks her head to the side like one of the flying animals he has seen begging breadcrumbs in the square. “What?”

“Inefficient? Stressful? … lonely?”

Gwen seems about to answer glibly, but then tucks her pink tongue between her blunt teeth and considers. “I can see the appeal of three,” she says. “Not sure I’d ever want it for myself, but I can see it.”

“You would not want a third with you and … Basil, was his name?”

Gwen shrugs. “That’s super putting the cart before the horse. I gotta see if I can stand Basil long enough to want to stay with him, never mind figuring out what kind of relationship we end up having. But have I ever considered an open relationship? Well, no. I guess I haven’t.”

She turns away then, and Kalp sees the gesture for what it is. She is uncertain if she wants to continue in this line of conversation, and is looking for an excuse to end it.

“I understand,” Kalp says. And he does. “But, perhaps, you will think of it?”

Gwen turns to look at him, eyes going slowly round as comprehension dawns. Kalp wishes suddenly, vehemently, that he had said nothing at all. It is too soon!

The awkward moment is shattered before either Gwen or Kalp can say something that may embarrass or hurt or anger the other. The human male in question blusters in the door of the café and flops dramatically against the counter.

“I’m gasping,” he says theatrically, and Kalp watches as Gwen flushes up again and hides a smile behind an eye roll. “I had to sneak out the back door while Simmons droned.”

“If you keep drinking coffee like this, you’ll get a soft tum,” Gwen admonishes but pokes at the till all the same.

“Just more of me to love. My usual please, Divy—oh,” Basil says, turning toward the preparation station and his words grind to a stop. “Oh. Um. Hi. You’re new.”

“I am,” Kalp agrees. In more ways than one, he thinks but does not add.

Basil turns back to Gwen. “How long as she been—”

“He,” Gwen interjects. “He’s chosen male.”

“He,” Basil echoes, “He been here?”

“I have been training for one week,” Kalp answers, even though the question was rudely not directed towards him. “Today is my first day on the floor.”

Basil jerks his gaze over to Kalp, admonished. “Er. Yeah.”

“I am Kalp. You are Gwen’s suitor, Basil Grey. You are attempting to court her, which is why you are avoiding your academic duties.”

Basil splutters and his cheeks go a mottled red, and he runs one hand through his thick, ashy brown fur. Gwen elbows Kalp in the torso and Kalp merely offers them both a companionable, if slightly sarcastic smile.

She shoves Kalp down towards the till to take Basil’s tender while she works off her mortification in making his ‘usual order’, whatever that may be. It apparently involves the larges cup size and a significant amount of raspberry syrup, chocolate curls, and whipped cream.

Kalp leans towards Basil, conspiratorially, and whispers. “I am confident that you will be successful. She finds you cute.”

“I heard that!” Gwen snaps, but then laughs.

Kalp’s toes curl again, and then the edges of his ears join in the pleasurable flex when Basil laughs as well, his voice a deep, comfortable counterpoint to Gwen’s.

Suddenly the affection he held for one has expanded to both. They sound so good together. They are in harmony.

“Listen,” Basil says as Kalp hands him his change. “Me and the boys, we’re doing a marathon this weekend. Last free weekend before finals and boyo, you don’t want to see engineers at finals. Drink you under the table, we could.”

“I’m Canadian,” Gwen says. “I was weaned on beer.”

“Not inviting you,” Basil singsongs. “Boys only. We’re watching Lord of the Rings.

Gwen points a finger at Basil while she juggles the powdered sugar shaker and the paper cup in the other hand. “Who says I wouldn’t like some good rough and tumble fantasy? Mmmm, Aragorn.”

Kalp enjoys films, but the one called The Lord of the Rings makes his heart ache. He cannot watch Bilbo and Frodo sail to the Grey Havens without his eyes burning so terribly that his whole head aches, and the tips of his ears scratching against the fine skin on the back of his neck. He knows not what the Grey Havens look like, but Gandalf’s soliloquy to Peregrine Took about silver glass reminds him sharply of home. The home that is gone.

It tears at something small and terrified deep down inside of Kalp that Bilbo and Frodo can go there, but he is stuck here, on this Middle Earth.

“Say you’ll come,” Basil says to Kalp, making a show of ignoring Gwen’s musings on the merits of chainmail and Elvin leggings. “Let us indoctrinate you into the great mythologies of our planet.”

Gwen snorts. “Next you’ll be telling him that the Justice League is a pantheon and Joss Whedon is a god.”

“He is. Don’t you sass,” Basil snaps affectionately.

“Here,” Gwen says, placing the paper cup filled with Basil’s monstrosity on the counter. “Now go away and stop pestering us.”

“You will come, won’t you? It’s just at my place, nothing special, but it’d be nice, yeah?” Basil asks, and Kalp, awed by this young human’s casual offer of friendship and the unlooked-for intimacy of a visit his domicile.

“I shall.”

“Great!” Basil says. “I’ll, uh… here’s the address.” He scribbles it onto his receipt and shoves it at Kalp, watching eagerly until Kalp smoothes it out and puts it in his pocket.

“And as for you…” Basil says, then reaches across the counter to lift Gwen’s hand between both of his. He presses his face against her knuckles, which Kalp supposes must be a courting gesture, because Gwen rolls her eyes and titters. “You’re a goddess too. My coffee goddess from the colonies.”

“Right, fuck off,” Gwen says amiably. “Go back to class and build something to save the world, you geek.”

“As my lady commands,” Basil says, picks up his coffee, and sweeps out.

The tinkle of the door chime fills the silence between the empty lounge chairs for a moment.

“Well,” Gwen says. “You gonna go?”

“Yes,” Kalp says. “It was kind of him to extend the invitation and I … would like some more human friends.”

Gwen smiles and nods, and they return to their quiet, companionable cleaning. Gwen does not seem to be avoiding his gaze, nor the casual grazes that their skins make as they move around one another, and in that Kalp is reassured that his attraction has not offended or disgusted her.

He finds her intriguing and wishes he knew how to pursue her. Pursue both of them.

There is a courting shop in the city, and Kalp knows it from his daily walk home; perhaps he will stop in there tonight and seek advice. They have many sexual toys and manuals, and even a video collection. He can learn about human courting and intercourse and then, perhaps, he can begin to seduce Gwen and Basil himself.

It is a good plan, Kalp thinks as the door chime rings and the afternoon post-lecture rush begins. He tightens the tie on his blue apron and affixes his smile, and spends the rest of the day imagining a nest, with human lovers, perhaps even a child – an Aglunate of his very own.

In his mind, he gives himself over to the hope for that which he had despaired of ever having again: a home, a family, and a place where he belongs.

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I think my fave Words for Writers are the ones where I get to answer specific questions. I got this great question and with the asker’s permission, I’m posting my response to him, with personal details omitted.

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Question:

My question isn’t so much about writing as it is about self-confidence. I have a background in non-fiction writing, as well as broadcast which I think gives me a bit of a leg up in terms of honing my craft. But at the same time almost every interview I read with an author or filmmaker says “well, I’ve been doing this since I was 10″ followed by “it will take you at least 10 years to get anywhere.”

 

All of which would be great if I was in my early 20s, but I’m 42. I know I can write….but at my age I find the “10 years of struggle” thing really, really daunting. I’ve done a fair bit of non-fiction stuff over the last 20 years and learned quite a bit about filmmaking….but I feel like somewhere I missed the window of opportunity that I needed (that might just be an irrational feeling on my part.) I will likely write anyway (because really, what choice do I have, it’s either that or endless regrets) but I was wondering if you could recommend any coping mechanisms that you used along the way, or groups you joined to keep you from giving up.

 

Also, you’ve mentioned your love of fan fiction. Where would be a good place to start posting fanfic?

 

Anyway, thanks for reading this. Hope everything is going well for you!

 

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 My Answer

Wow, complicated question.

 

You’re right, motivation is difficult. I was lucky that I started in fanfic young, so there was always a built-in critique and support group when I started to think about being a writer. People had offered praise, comments, critiques, and I learned how to work with an editor/beta.

 

If you do want to post fanfic, I suggest Archive of Our Own; I really respect this site as its run by the absolutely splendid Organization of Transformative Works. Fanfiction.net and Livejournal host fanfic too, but from what I understand, a lot of those people are migrating to Archive of Our Own. I think a great place to start posting your fanfic is Tumblr, actually. There’s a growing fanfic base there. Just tag the crap out of your posts, and break up the chapters to serialize the story.

 

The nice thing about fanfiction is that there’s different ways to engage with the community. Some is on mailing lists, some in community journals, some in personal journals, and some on online libraries and archives. There are even still some hardcopy newsletters.

 

As for the “fanfic” experience without actually writing fanfic itself, there is Wattpad,and Fictionpress. Those are fanfiction-like communities (readers searching for new fic to follow, writers who post a chapter a at time/ post serialized stories, and feedback/commenters) for original fiction.

 

Just be aware that there may be flammers and trolls. No matter where you share your fiction (original or fanfiction), you’ll get asshats, so don’t let them get to you. I’m professionally published and I still get asshats. It’s part of being a person who shares your creative works with others, unfortunately. Luckily, you can block people on websites and in social media!

 

I would also carefully read the Terms of Service for any site you post your original fiction on if you plan on later pulling down the stories and sending them out to agents/publishers. I don’t say this to be paranoid, but just because I don’t personal know what’s in the TOS, which is why I’m cautioning you to read them. I don’t use either site.

 

For other places to put up full books and receive critique and possibly agent/publisher notice, check out Figment, Authonomy, and the Amazon Breakthrough Novel contest. How useful each may be to you depends on how you engage with the community, and how much you are willing to do so. The first two are very community driven and people do read and comment on one another’s books.

 

I also recommend Miss Snark’s First Victim; Authoress has great contests that help you hone your craft, your pitch, and your writing. As of two days ago, nearly fifty people have either sold a book or signed with an agent through this site.

 

So there are some ways to find a critique group, and/or fast track the process beyond my other suggestions on my FAQs post.

 

But the thing is, there really is no way to fast track anything. By the same token, there is no guarantee that there will be a “10 years of struggle” either. A lot of that “10 years of struggle” that people are talking about is a) maturing as a person and a storyteller, b) writing shitty books that will never see the light of day in order to learn HOW to write and what kind of stories they want to tell, and to find their voice, c) learning about the industry.

 

And the thing is… you’ve already done some of that “10 years of struggle”. You said you’re a non-ficiton writer and a screenwriter both. So, you know how to write – you know how to construct a sentence, edit punctuation, the mechanics of writing which, believe me, is a big part of a beginning writer’s learning curve.  And you know how to tell a story, because you’ve screenwritten.

 

Think of writing fiction like taking a university course – you’re switching majors from NonFic with a minor in Screenwriting to a major in Fiction. You have course credits that you can transfer.

 

So really, you’re way ahead of the game.

 

All you need to do now is write the novel.

 

Well, how to be motivated about that? I have already written a Words for Writers post about that, but if you have any more questions, feel free to ask them.

 

Lastly, you said that “almost every interview I read with an author or filmmaker says well, I’ve been doing this since I was 10 followed by it will take you at least 10 years to get anywhere.

 

This is not always true. What they’re really talking about is putting in the work.

 

I know some twenty year olds who sold the very first book they wrote. I know some fifty-five year olds who sold the very first book they wrote. I know some sixty year olds who have agents and haven’t sold a thing in twenty years. I know some people who sold a book they wrote, edited and polished in a year, and I know some people who sold a book they wrote, edited, and polished over ten years. I know some people who signed an agent with their first book, and never sold that book, but sold the next six.

 

This has nothing to do with your age or where you are in life, and everything to do with whether you’ve written the best book you can write. If you write a damn good book, and you hone it, and craft it and polish it, what does it matter if you get it done in one year or ten?

 

For comparison – Triptych was about 8 months of writing, and about a year and a half of editing because I’d never done it before, and then another four months of editing with the publisher. The draft that you can buy in the store is #64.

 

One of my new books is over two years old. I wrote it in three months and have been editing it ever since. We’re on draft #74 and my agent hasn’t signed off on it. We haven’t submitted it together anywhere. There will probably be a few more drafts, in fact, before it is submitted anywhere. And I haven’t started writing the sequel book, save for a few scenes here and there that I didn’t want to forget.  That’s okay with me. The book isn’t ready yet.

 

And yet again, I started another book last August, finished it in November, edited it over the holidays, and my agent is shopping it right now. The draft editors are reading is #4. It all depends on the book, and how it comes together, and not your age.

 

One more thing: Publishing is very hurry-up-and-wait. Even if you wrote a whole book and got it perfect tomorrow, signed with an agent the next day, and sold it to a publishing company the day after, it still wouldn’t come out until mid-2014. There’s too much marketing to plan, a cover to design, edits to do… it’s a slow process which involves a lot of people who have many different projects they have to turn their attention to. So there’s really no rush. And it’s not like you have to retire from writing when you retire from your job at sixty-five, right? You can keep writing, welp, right up to the coffin.

 

As for things I did to keep from giving up…

 

Well, I cry sometimes. I throw books at the wall and walk away. I start novels and never finish them. I won’t deny it. Some days it gets overwhelming and I want to give up.

 

But then I think about the thrill of seeing my book in my hands, on shelves, in other people’s hands on the subway. I think about the way I’m opening people’s minds with my stories, the new thoughts and ideas I might give them, the stories mine might germinate in them. I think of the pride in my grandmother’s eyes. And yes, to be crass and honest, I think about the royalty cheques.

 

I still have a day job, I don’t make ends meet with writing, but I also write in the hopes that one day I will make enough on my myriad of novels that I will be able to quit the day job and spend my days being an actor, being a writer, and touring to give talks.

 

I also made a point of making authorly friends (met them at local book launches, meet ups, by answering ads in local bookstores, etc.) who have all felt what I feel when they’ve been low. They get it. I can go out with them for coffee or beer or goddamned vodka and talk it out with them. It also helps, I find, to make yourself accountable to friends and family.

 

I tell people about my books as I write them, and their enthusiasm (“When can I read it!?”) helps me get energized and positive about the story. I give them chapters to critique as I finish them, or bounce ideas off them. I let some of my friends name a lot of my characters.

 

My Mom is also really, really good at scolding me if I miss self-imposed deadlines, and once when I was like, 10k behind on NaNoWriMo, she made me sit at the kitchen table and gave me that patented Mom-Glare every time I got up to pee. She made me dinner and tea and let me talk through issues with her. It was the exact kind of tough-love I needed.

 

I impose deadlines on myself and try to stick to them. I do NaNoWriMo. I got Scrivener and it made the whole process much quicker and more streamlined for me.

 

Anyway, I think I’ve run out of advice to give….

 

I think you’re right, it’s irrational to feel that you’ve missed a window of opportunity. And yet I’m not dismissing that fear, because I feel that way sometimes, too. I wonder if I went with the right agent, the right publisher, if I shot myself in the foot by publishing like this instead of like that, for taking that deal and not the other one, for talking to this person at the party when I should have been talking to someone else instead… maybe it’s not a comfort to know that the second guessing and the self-doubt don’t ever really go away. You just get better at telling it to eff off; especially when you surround yourself with people who help you to remember that you want to do this for a reason, people who support you.

 

The thing with writing is… you can start whenever because there’s no special course you need to take, or age you need to be. All you have to do is write.

 

I wish you all the luck.

 

–J.M.

 

*

 

More WORDS FOR WRITERS Posts

Choosing to be a Writer: Why Write? & Refilling the Creative Well

Getting Started: The “What If?” & Don’t Stop. Don’t Ever Stop & What You Need To Know to Get Started

First Drafts: My Advice for NaNoWriMo: Be A Bit Crap

Revisions: Unhooking, Tough Choices, And Raising Your Manuscript Up Right & Killing Your Babies

Hard vs. Soft SF: The Balance Between Science-Telling and Story-Telling

Self-Marketing: What I Do To Self-Market (make sure to read the comments, too) & Book Trailers

Agents: I Have A Publishing Deal But I Still Want An Agent & How Do I Get An Agent? Why Do I Need One? & Publishing Sans Agent

Genre: Why Do I Write Sci Fi?

Format: How To Structure A Story

World-Building: Culture-Building, Character-Building, and Finding The Story

Finishing a Manuscript: Keeping Momentum & The Emotionally Blocked Writer

Queries: You Might Have to Work At It & That Middle Place

Abandoning A Manuscript: Bidding Farewell

Copyright: Protecting Your Work

Have a question you want me to answer? Ask it here.

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KeyCon 2013

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My Visit With the Scarborough Museum Youth Team – Part 4 / 5

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On Tuesday March 25, 2013 I visited the Scarborough Museum Youth Team to talk about being a writer. I got some really great questions, and with the youth team’s permission, I’m going to re-answer them there. Check back every day for a few new questions and answers.   Q: What time of day do you [...]

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My Visit With the Scarborough Museum Youth Team – Part 3 / 5

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On Tuesday March 25, 2013 I visited the Scarborough Museum Youth Team to talk about being a writer. I got some really great questions, and with the youth team’s permission, I’m going to re-answer them there. Check back every day for a few new questions and answers.   Q: How do you keep track of [...]

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