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WORDS FOR WRITERS: What is a Subplot?

WORDS FOR WRITERS: What is a Subplot?

Welcome to a new article series! This time, we’ll be talking about about the structural and narrative importance of SUBPLOTS. But before we dive in, let’s figure out what a subplot actually is.

According to Dictionary.com, a subplot is: “A secondary or subordinate plot, as in a play, novel, or other literary work; underplot.”

Therefore, a subplot is the part of the story that is happening — to your characters, in the world, both beat-by-beat and overarching — in tandem with the main plot.

But how do they work?

Read the article here.

JM FreyWORDS FOR WRITERS: What is a Subplot?
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INTERVIEW: “So… I’m Writing a Novel”

INTERVIEW: “So… I’m Writing a Novel”

I was interviewed by the kind and extremely articulate Oliver Brakenbury of the “So… I’m Writing A Novel” podcast, and you can listen to the whole episode here!

Episode Description
(From Spotify)

Oliver has a long, highly informative chat with author, actor, and voice actor J.M. Frey about her experiences as a writer, including what happens when your book grows to around the 200K word mark, self-publishing, the challenges of author exhaustion (incl. frank discussion of how the economics of publishing deals have evolved), when she received her first piece of fan art based on her work, and more! Jess is terribly knowledgeable, and we strongly recommend you check out her site not only for all the great advice it contains, but also to study how Jess presents herself online.

JM FreyINTERVIEW: “So… I’m Writing a Novel”
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WORDS FOR WRITERS: Tips for Critiquing

WORDS FOR WRITERS: Tips for Critiquing

Working as a sensitivity reader or a beta reader for a writer friend is one of the greatest joys of being part of the writing community. You get to read a new story before anyone else and you have the privilege of helping your writer friend turn their just-pulled-from-the-cave-wall stone into a highly polished, beautifully cut, sparkling diamond.

Obviously there are no hard-and-fast rules about what you should and should not be doing as a critique partner (beyond Wheaton’s Law). You and your author will find your own communication style and rhythm, as well as levels of honesty and helpfulness that you’re both comfortable with. However, the whole point of stepping up as a critique partner is to support your writer friend and help them make the book they’ve written the best version of itself that it can be.

Sometimes this means you have to point out flaws, but it also means that you should be pointing out the stuff that’s good, that really works for you, and connects with you emotionally as a reader. Writers need to know not just what needs to change, but also what needs to stay the same.

Click here to read some tips based on what I like best in my critique relationships.

JM FreyWORDS FOR WRITERS: Tips for Critiquing
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WORDS FOR WRITERS: Narrative Voice and Tone

WORDS FOR WRITERS: Narrative Voice and Tone

If your characters are the lens through which the reader experiences your story, and you the writer are the glassmaker, then vocabulary makes up the grains of sand which create the glass.  Likewise, tone is the mold into which you pour your hot glass to set the lens.

Some grains will be hard, rough, imperfect; and, poured into a straight-edged mold, would make a wonderful lens for, say, a gritty detective story. Some will be dark, and smooth, and sharp, combined in a rough mold that produces a lens that is uneven and hard to see through, making it suitable for gothic romance. Some will be filled with glitter, poured into a star-shaped mold, ideal for magic and fantasy.

Your combination of Voice, Vocabulary and Tone create the Narrative Voice that is unique to your work and your book.

Read PART ONE | Read PART TWO

JM FreyWORDS FOR WRITERS: Narrative Voice and Tone
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