cosplay

Words for Writers: Why Is Fandom Important?

In honour of INTERNATIONAL FANWORKS DAY, I am reposting my article on why I love fandom!

This was originally posted at RuthanneReid.com, now AmongTheMythos.com.

Photo by Francis Baker

Photo by Francis Baker

Authors need fans, right? Sure we do – we need people who like our books, our writing, who recommend them to other people, who spread buzz and vote for them, who defend them and squee over them, who recommend them to their librarian and give them as gifts. We need fans, at the most basic, to buy and read our books or we couldn’t afford (financially or emotionally) to write more.

But what about fans? I’m talking the come-to-every-event-you-do, attend-every-signing, write-fanfic, build cosplay, analyze-the-crap-out-of-your-work kind of fans. Do we need those?

Yes. YES WE DO.

And I love you, too. I love you guys a lot.

Let me tell you why I love you – and why many authors love you too.

I was Once One Of You

  • I’ve said it before, and I’ll say it again: Fanfiction was my novelling training wheels.
  • You encourage new creatives to take chances with their work, to stretch and grow, to learn, to explore. More than that, you encourage us toshare, which is sometimes the hardest part of writing a novel or making a piece of art.
  • You teach writers how to take praise, how to take critique, how to edit and how to build character and worlds and narratives every time you leave feedback.
  • You provide a safe community in which to explore creativity.

…And I Still Am.

  • I read fanfic constantly. I call it my “comfort food” because I already know I love the worlds I’m about to spend time in, already know I love the characters. It’s a safe, wonderful, happy, glowy kind of coming home but I get a brand new story/idea/AU/world.
  • I still cosplay, when I can get away with being a professional guest in costume at Cons.
  • I still roam Artists’ Alley and drool and buy way too many prints and bookmarks and buttons and cool things, because they are innovative, and beautiful, and fun, and for just a moment creates a thread of mutual understanding, respect, love of the media text, and a tingle of creativity passes between me and the artist/vendor.
  • I still think like a fan – every story I create I approach with a fanficcer’s mindset: “How can I tell this from a new angle? How can I use the traditions, the clichés, the assumptions to push against the envelope of the narrative? Whose voices are missing and how can I give them the center?”

I Have Met Some Of My Best Friends Through Fandom

  • One of my best writing friends was my fanfic crossover co-author, and I’ve to date never met her in person, but I’ve known her for about 15 years. We have cheered on each other’s pro careers, edited each other’s books, and supported one another for literally half of my life.
  • Some of my very good friends IRL I met while at Cons and while cosplaying.
  • I met pretty much every other pro writer friend I have at conventions
  • I sold my first novel at a convention.
  • I made very good friends at university by introducing people I liked to cosplay and fanfiction and working with them on fics, art, and costumes; then I dragged them to cons where some of them are now professional creative, too.

You Are Unabashedly Passionate

  • You have the guts to wear the proof of your passion on your person: to cosplay, to wear tee-shirts, to attend cons, to get tattoos, to style your hair or your wardrobe as a tribute to your favorite characters.
  • You spend hours, years, and sometimes a significant amount of money creating things based on other creatives’ works
  • Really, Simon Pegg might have said it best.

You Are Smart As Heck

  • You build communities like those Archive of Our Own andFanfiction.net, Tumblr and Deviant Art.
  • You do good deeds in the name of the writers, actors, and shows that you love –David Hewlett’s Squirrel Army all donating to Medicines Sans Frontiers for his birthday, or the charitable deeds of the Browncoats, for instance
  • You parlay your love into degrees, courses, conferences, academic readers, and text books
  • You call out work that is problematic and encourage creators to grow, to learn, to take an interest, to get better.
  • You find things in my work that I might not have realized I put there and you play with them. It’s incredible.

You Are the #1 Best Form of Advertising

  • The best kind of advertising in the world is a friend or family member or teacher or librarian handing you a book and saying: Read this. Trust me.
  • Crossover fanfiction is what got me into like, 90% of my fandoms.
  • You tell the book stores about me, and demand that I be kept on the shelves.

You Are Hella Supportive

  • You buy everything I write.
  • You come to every signing, every reading, every pubnite.
  • You come talk to me and tell me what you loved (and didn’t love).
  • You ask questions. You force me to ask questions of myself.
  • You ask me to come be a guest, a guest of honour, a judge, a participant, a contestant, and interviewee, a guest star, etc.
  • You invite me to submit to newsletters, journals, magazines, anthologies, and blogs.
  • You interact with me on social media.

And You Are Vocal About It, Too

  • Fans send letters to magazines, to film executives, to bands, to playwrights, to graphic novel creators, to other creative and say Have you Read this? You should totally do something with this. You make other people pay attention to me and my work and you help forge connections.
  • You tell people on Facebook, on Twitter, on Tumblr, on Pinterest,everywhere what you love and why you love it.

You Keep Me Accountable

  • You make me think of things that I might have missed, critique what I’ve published in ways that helps me be more thoughtful and more compassionate with the next book and characters, and you point out flaws that I didn’t see before, and never know I had.
  • You ask me when my next book will come out, remind me that there are stories that I promised, and help me stay on track if I start playing around on social media too much.

You Keep my Worlds and My Characters Alive

  • You write fanfiction, fancomics, build cosplays, and make fanart and fanvids that breathe new and continued life into my work.
  • You write the scenes and/or plug the gaps that I had to leave off screen for logistics or narrative reasons (and usually with way more imagination that I would have!)
  • You psychoanalyze my work and find things in it that I hadn’t realized I put there. You make the characters realer, their reactions more human, and you teach me, in breaking apart my work like this, to do it for myself and to really craft my characters with the same care you take in studying them.
  • More importantly, when I hand in my novels for the last time for publishing, the world becomes closed to me. I can’t change anything, play with anything, push and pull and turn it on its head and play with dynamics. But you can and you do.
  • I love AUs. I LOVE AUs. I LOVE IT WHEN YOU TAKE MY WORLD AND REMAKE IT. LOVE IT.

You Tell Me How Much My Hard Work is Appreciated and Loved

  • You leave reviews on Amazon and Goodreads that make my heart soar. Or make me think critically about the choices I made and consider how to do better next time.
  • You post your art or pics of your cosplays online and make sure I know how hard you worked on them. (And I know, oh, I know.)

And most importantly:

You Engage in A Dialogue With Me About My Work

  • Every fanwork you put up is your response to something that I said or did in my book. I have offered the opening and this is your reply. And the conversation is marvelous.

To close, a lovely quote on fanworks by Ruthanne Reid:

“When you create a new world, a new story, it’s like you’ve just built a brand-new playground. Other kids love it so much that they CHOOSE to come and play in that one with you. When you lock them out of fandom, you’re sitting in it all by yourself, wondering why the other kids don’t want to sit outside in the grass and watch you play.”

*

For more posts on the business and craft of writing, search my Words for Writers tag.

JM FreyWords for Writers: Why Is Fandom Important?
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Reversed Polarity Schedule!

(Friday November 1st, I will be reading and signing at Glad Day Books/Geeks Out’s SKIP ENDER’S GAME.)

Saturday:

10:00am – Oak Ridges –  Writers’ Workshop with J.M. Frey: World and Culture Building
3pm – Oak Ridges – Walking the Fine Line between Fan-Scholar and Scholar Fan
4pm – Gormley – Cosplay: Doctor Who Style
8pm – Grand York – Judging the Masquerade

Sunday:

10:00am – Newmarket – Love and the Doctor
12:00 -Oak Ridges – Reading from something NEW AND WONDERFUL
7pm – Newmarket – Is Doctor Who Still a Children’s Program?

JM FreyReversed Polarity Schedule!
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Identi-play: Cosplay, Camp, Cons and the Carnivalesque

belleBecause of the fantastic positive feedback from the Leaving Mundania documentary, I’ve decided to post my 2008 academic paper on cosplay.

Identi-play: Cosplay, Camp, Cons and the Carnivalesque

J. M. Frey

Originally presented on April 15th, 2008; updated April 11th, 2013

Theoretical Approaches to Media And Culture

Abstract:

Cosplay: people donning home-made costumes patterned after fictional characters.  A Japanese portmanteau of “costume” and “play”, Cosplay exhibits characteristics of both – dressing up like a fictional character, but also ‘inhabiting’ the character’s world; the filtered life of someone who does not exist, and an attempt to capture it for a fleeting moment.  Photographer Elena Dorfman (2007) calls it a blurring of fantasy and reality, where identity is exploded, narrative is privileged and persona paramount.

What draws amateur artisans to Cosplay and the convention events that propagate it?  Theorists (Butler, 1998; Mercer 1994) posit that switching, trying on, and performing other identities, genders, and in the case of Cosplay, personas and species, allow Cosplayers to fluidly define, stretch, discover, and augment their own sense of identity.  Like other performative groups studied by identity theorists – such as gangs or drag queens – Cosplayers slip in and out of identities by slipping in and out of costumes, and perform themselves by surrendering to play. That the concept of identity is itself in flux is perhaps a sign that in an age of virtual hobbies and connections, we no longer know who we are.  Cosplay allows participants to create and participate in the physical world, to move a hobby that is primarily screen-centric into a concrete medium.

I elucidate the passion for the art by drawing on Susan Sontag’s treatise on Camp, illuminating the excruciating work and joy Cosplayers wring from a pastime that makes most onlookers squirm, and Mikhail Bakhtin’s study of the carnivalesque in comparison to the festival atmosphere of the convention hall.  Straddling the gap between is an insightful essay by Paper Magazine editor Carlo McCormick (Dorfman 2007), which serves as a stark entry point to the cacophony of voices that is Cosplay.

Read  Cosplay,Cons, Camp and the Carnivalesque by J.M. Frey.

JM FreyIdenti-play: Cosplay, Camp, Cons and the Carnivalesque
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The full film of LEAVING MUNDANIA is now online!




Leaving Mundania explores the colourful lives of “cosplayers” who express their fandom through costuming and roleplay.
Through candid footage and in-depth interviews, Leaving Mundania offers an intimate view of this colorful fan culture, revealing how cosplayers stand apart from the “mundanes” of the everyday world.

This was shot in and around Toronto, Ontario and the Anime North Convention, where it also premiered in 2009. I appear as their academic expert (I did my undergrad thesis on anime).
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The whole documentary is now online, so you can WATCH THE WHOLE FILM HERE.

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JM FreyThe full film of LEAVING MUNDANIA is now online!
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Guest Etiquette – How To Keep Your Con Experience Safe and Happy

There’s been a lot going around about ReaderCon and the results of an individual’s harassing behavior. This post isn’t a direct response to that. It is a post, however, that I’ve been contemplating writing since last year, when several things happened spread across several conventions that have made me uncomfortable or confused. I wanted to address these things, and it seems that now is the appropriate time to post my thoughts, while these discussions are happening.

Image from Tumblr – clickthrough for the link.

*On Being A Guest*
I adore being a guest at conventions. I adore conventions in general. I have been going to conventions since I was fifteen, cosplaying since I was sixteen, and have been panelling since I was twenty five.  I got my first official invitation to be an actual invited guest last summer and it was an absolute thrill to see my hard work and the effort I’ve put into helping support and build my local geek community rewarded in that fashion.

The move from one side of the table to the other has been wonderful, and I am so grateful and lucky that the people I supported in the geek community as a fan are now supporting me as a creator.

I love conventions because it is where my people are. My tribe. My community. My family.

Conventions are where my hobbies and interests are accepted, normalized, and celebrated. It is where my work can find the audience it is most created for, and where we can celebrate it together. It is where I can totally geek out and squee over something and have it be not only accepted but encouraged by the people around me.

It is where I can see what my fellow professionals have accomplished in the past year and pat them on the back for it. It is where I can marvel at the skill and talent of the cosplayers, the fanartists, the gamesmakers and the fanficcers. It is where I can catch up with the people I cherish and only see infrequently.

Its marvelous. And it’s exhausting.

I go back to my hotel room every night completely drained because I have been “on” all day, aware that I am being watched and judged at all times because of the profile of my name. Or, like most con-goers, because I want to indulge and party, stay up late dancing and singing karaoke, and talking with friends.

It also costs money. Unless you’re a very big name guest, you are paying to attend the con, not being paid, or at least having your travel/meals/room expenses covered. Sure, my pass is usually free (and because of the tightness of my pockets I’ve unfortunately had to start turning down any con that won’t give me my pass for free), and sometimes I get two (one for a family member or handler), but I still have to pay for the hotel room, the transportation to the con, and meals. That is money out of my pocket, when I could have easily stayed home that weekend to write books or make films, things that would have put money into my pockets. I’m not saying this to whinge.

I am saying this so you understand that I want to be there badly enough that I’m paying for the privilege, same as the attendees. I want to be there.

And having been a guest of one caliber or another at a good dozen plus conventions, there are some trends and patterns that I’ve begun to notice which I feel need addressing.

This blog post is not aimed at one person or one con specifically, but is a list of suggestions for Guests, Cons, and Attendees to help make everyone’s experience more pleasant and safe, accumulated from several years worth of experience.

*What Conventions Can Do To Make Guests Safer and Happier*
Do a background check on your volunteers. Ensure that your volunteers are not creepy, are polite and cheery, and aren’t rude.  Also, make sure they know exactly to whom they should turn if someone brings them a situation they can’t handle or a question they can’t answer on their own.

Provide a GreenRoom. A ConSuite is a room at a convention where all attendees can chill out, get something to eat or drink, and visit. While in theory, guests should be safe and happy here, it is still a place where the guests have to be “on”. Having a haven of our own is vital for guests; we all need somewhere to decompress, get a cuppa and a sammie, refuel and chill out without the dread or expectation of having to be “on”and, unfortunately, escape attendees who might be harassing us. It doesn’t have to be large or well stocked or a 24/7 party. It just needs to be a place where we can retreat when it all becomes too much. To my mind, this is the single most important thing you can do for a guest at a con.

If you are asking your guests to attend parties, have a volunteer there to keep a discreet eye on things. If a guest appears uncomfortable or an attendee is getting inappropriate, have the volunteer step in and escort the guest to a different part of the party, or back to their rooms if required/requested.

If the guest informs you that they have a stalker/creeper/etc. they fear may appear, take it seriously. They wouldn’t have said anything if they didn’t mean it. If that person tries to buy a ticket, give them a full refund and kick them out. If they somehow get in, kick them out. If they keep trying to get in, call the police and have them escorted off premises. Press charges if necessary.

*What Guests Can Do To Make Their Experiences Safer and Happier*
Remember that you are among colleagues, and you never know who knows who. If you want to gossip, tear down another professional, or complain, do so with close friends in the privacy of your hotel room or back at home. There is nothing less professional than guests sniping other guests, or other professionals in their field who aren’t present. If you have legitimate complaints about how the con is run, bring them to the appropriate people and address them in a mature, discreet fashion.

Retreat to the GreenRoom if you need to. Tell people no, if you have to. Yes, you are there for the attendees, but your off time is your off time, and you have the right to an uninterrupted drink or meal. (Of course, we all know the difference between someone who wants an autograph and a quick chat, which is usually most welcome, and a linger-er).  Don’t be afraid to say, “Thank you, but I’m afraid I’m in the middle of dinner/on my way to a panel/on my way out/ need to be somewhere else right now” and go if someone is making you uncomfortable.

Thank the ConCom for inviting you when you get home, and let them know in a nice little letter what you enjoyed and what they did right. Also, make any suggestions you may have to improve next year’s experience.

Bring the GreenRoom attendants something to show your appreciation – whether it’s a large tip, a box of Timbits, a bottle of wine, or a piece of your work, etc. I know one author who gives the security team a free copy of their new book every year, and it gets passed around and read by at least ten people that weekend while they’re bored and guarding doors. Make it clear that you appreciate the space they are providing for you.
Inform the security team if you have a stalker/creeper/etc. you fear may appear,  and make sure they take it seriously. If that person gets in and harasses you, call security and have them escorted off the premises. If the con does not take the concern seriously, pack up and go home. You are under no obligation to remain at the con if you do not feel safe there.

*What Attendees Can Do to Keep Guests Safe and Happy*
Remember that the Guests are probably knackered and/or rushed. Respect their schedules where possible. However, this doesn’t mean never say hello or give them a high five in the hallway or anything like that. Just be respectful. Remember, we guests want to be there just as much as you do, and we’re probably looking to have just as much fun as you. We want to engage with you, party with you, dance with you, laugh with you. Just be mindful of how much attention is appropriate, and at what times. And dear gods, the toilet is never a good time or place to chat, pitch, get a photo or shake hands.

Don’t be entitled. Remember that as much as you admire this guest and their work, they don’t know you. Even if  you’ve met them before, they probably don’t remember you. Even if you’ve sent them a billion letters and they’ve answered every one, these people are not your friends and they do not know you. Keep your creepy sex fantasies to yourself, don’t be handsy or grabby, and be respectful of the guest as a human being. I’m not saying to not write fanfic or make fanart, or have all the sex fantasies and tabloid-fed gossip you want, but be aware that it might be unwelcome in an actual interaction, and don’t push your desires or expectations on the guests. (i.e. Benedict Cumberbatch is not your real boyfriend. Have all the fun envisioning it you’d like, but don’t make a lunge for his lips if you meet him.)

Guests owe you nothing. They don’t have to answer your questions about errors they made in their last book, they don’t owe you a photograph with them, they don’t owe you a hug or a kiss on the cheek or a handshake. They don’t owe you an explanation, or a spoiler, or a chat. Unless you’ve paid for the privilege of getting a photo or autograph, the guests owe you exactly nothing that exceeds their contracted requirements (which usually includes an agreement to be present, a certain number of hours of programming, and attending a certain event at the con, such as a dance or awards ceremony.)  Their job is to create; if you find problems or want to discuss their creations, then please do so in a respectful, non-attacky manner. If you don’t like what they create then… stop reading/watching it. Don’t insult or harass the creator over it. And for goodness sake, please don’t insult a guest’s work to their face. Having particular tastes is one thing, but to call all their work objectively bad to their faces is poor manners of the highest sort. (Guys, we’re already terrified to be there; afraid that no one will want our autographs and that we’re frauds and that we’ll be laughed out of the con. Please be tender with our feelings! If you have nothing good to say, say nothing at all.)

*Con Creepers*
Ladies and Gentlemen, you know exactly what I mean by a Con Creeper if you have been around them before. They are the person who behaves entitled around a guest. They are the ones with poor ability to read body language, who don’t know when to lay off or disappear. They are grabby. They are the creepy ones who stare at your tits or your package, who oogle, who linger too long and too close, who make everyone around them cringe.They are the ones who talk to and behave towards and touch guests as if they are the dearest and oldest of friends when they are not. They are the ones who demand things of guests that they have no right demanding. And the biggest problem with Con Creepers is that they usually have no idea that they are Creeping. So here is what you do:

If you know a Con Creeper, call them out on it when they start Creeping. Better yet, warn them in advance of the Con that some people find their behavior inappropriate and hurtful, and counsel them on how better to show their appreciation for the community around them.

If you are an attendee and you see a Creeper creeping on anyone, you come to that person’s rescue. You offer to escort that person to coffee, for air, to the GreenRoom, anywhere the Creeper can’t go. (And don’t expect anything in return for the rescue). If you can’t do that or aren’t comfortable doing that, then you find security and you tell them that you think that someone is the recipient of unwelcome attention and make sure security follows up. At no time engage in a fight or confrontation with the Creeper.

If you are with the ConComm, ensure that your security knows that they must take reports of this nature seriously. Brushing it off because the person receiving the unwelcome attention is in cosplay, or because they’re a guest, or because they’re a cute boy/girl/gurl/boi/etc. is not okay. You wouldn’t tell a person who’s about to be raped that it’s their fault for dressing like a slut; so don’t support this sort of behavior by not engaging with it, not stopping it before it gets worse, or someone gets hurt.

Have an absolutely iron clad system of responses on paper and ready to be implemented if your staff or volunteers end up in a situation where they have to deal with a Creeper. Call the police if you/your staff/volunteers cannot handle with situation. Press charges. Let the world know you are serious about the safety of everyone at your convention.

People who make others fear for their safety do not have to be a way of life at cons. We all know people who have come away from an extremely unpleasant interaction, complaining of harassment or molestation, or inappropriate comments, only to have someone else say: “Yeah, but that’s just So-and-So. He’s socially inept, but he’s a good guy. He doesn’t mean anything by it.” <– That? That right there is totally invalidating someone else’s right to police their own comfort and bodies and that is not okay. And there are people who go to cons and do it every time and the community turns a blind eye, because Creepers are a fact of life at Cons.

Well guess what, folks? When that person finally stops taking “no” for an answer, because people have never stopped him or her before, never told him or her that their behavior is unwelcome, and assaults someone, it will be partially your fault. Because you didn’t make it clear that you will not tolerate that behavior in your community. Report these people. Get them kicked out. And follow up to make sure they’re never allowed back in.

 

So that’s my list. Seems a bit grim, but a lot of it ought to be common sense. In the end, I just hope that everyone remembers that everyone is there because they want to be, and they have the right to have a good time without fear of harassment, stalking, groping, rape, or physical harm.

This is your con, and your community. Take pride in it, and protect the people who are a part of it, including yourself.

Any more suggestions, folks?

JM FreyGuest Etiquette – How To Keep Your Con Experience Safe and Happy
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