LIPS LIKE ICE – Back in Print!

LIPS LIKE ICE – Back in Print!

After a short hiatus, LIPS LIKE ICE is back in print! If you’d like a copy of your very own, you can find all the current retailers listed here. I’ll update the links as more become available, so check back if your preferred retailer isn’t linked yet.

The book is still serializing for free on Wattpad and Radish, and will remain available to read for free until January 2022.

Happy reading!

JM FreyLIPS LIKE ICE – Back in Print!
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“Triptych” has gone STRANGE!

“Triptych” has gone STRANGE!

There’s something STRANGE happening today!

Fuse Literary Inc., my literary agency and the publishers of the “Fuse” line of books (including Short Fuse – through which two of my works have been published) has announced a brand new imprint:

To celebrate, what better day to announce the creation of Fuse’s all-new Science Fiction, Fantasy, and Horror imprint than on Star Wars Day: MAY THE FOURTH BE WITH YOU!


And to make the launch of Strange Fuse even more dynamite, Fuse is releasing four – yes, FOUR – titles today!

The Creature’s Cookbook

The Gophers of High Charity Wishes Folded Into Fancy Paper

And, of course…

Yes! That’s right! Triptych is back!

It’s been a while, but my debut novel has returned to print, this time in an Author’s Cut edition, with a stunning all-new cover (thanks Rodney V. Smith & Adrienne Kress!), and with some new never-before-in-print material.

You can pick up your copy of the book in eBook, Paperback and Hardcover.


And one last announcement… I’ve made what is perhaps a foolish wager with creature and cook Simon Alkenmayer. So to help save my soul – or at least my bank account because I’ve promised to buy Simon some really top quality “Canadian Blood” a.k.a. genuine maple syrup if I lose, and that stuff ain’t cheap – please consider pick up a copy of Triptych in the next three months, and leave a review on Amazon/GoodReads/Your Blog/anywhere you can!

May the Fourth Be with you all, and a very big welcome to STRANGE FUSE!

See you all tomorrow afternoon at my Urban Book Club live AMA!

(2:30pm EST.)

JM Frey“Triptych” has gone STRANGE!
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The Secret Loves of Geek Girls: Redux


The Geek Girls Are Back!


A large batch of the contributors at the launch for the original book at Page & Panel. (Me on the far left with)

Contributor Margaret Atwood.

Hope Nicholson, publisher over at Bedside Press and overall fabulous activist and editor, has launched a new Kickstarter Gold project. This follow up book brings back your favourite writer and artists from The Secret Loves of Geek Girls with more true stories of love, sex, and dating from the worlds of fandom!

The Secret Loves of Geek Girls was a collection of comics, prose, and illustrations all on the themes of dating as a geek. The collection was full of stories from comic creators, sci-fi writers, videogame designers, cosplayers, and fans! The stories were a diverse range on different topics from first dates to discovering your sexuality and they’ve touched the hearts of people the world over. And this redux project will be the same!

The Returning Cast

Cover by Jenn Woodall

Each of the creators was featured in the first book, and our returning cast list is:

Cover art:

by Jenn Woodall

Comics by:

Margaret Atwood, Katie West (w/Jamie McKelvie), Trina Robbins (w/Megan Kearney), Janet Hetherington, Meags Fitzgerald, Jenn Woodall, Megan Kearney, ALB, Annie Mok, Erin Cossar, Jazmyn & Jessica Paoli, Sarah Searle, Jen Vaughn

Prose stories by:
J.M. Frey, Stephanie Cooke, Megan Lavey-Heaton, Loretta Jean, Emma Woolley, Adrienne Kress, Hope Nicholson, Cherelle Higgins

Art by:
Deena Pagliarello, Leslie Doyle, Gillian G, Rachael Wells

Excerpt from my tale “Time To Move”

How Do I Get My Copy?

Head over to the Kickstarter page to donate today, or watch Bedside Press for information on purchasing a copy for yourself once the Kickstarter has concluded.

JM FreyThe Secret Loves of Geek Girls: Redux
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“ARRIVALS” is out!

Today’s the day!

ARRIVALS, the second Accidental Turn Series novella, is now out!

You can pick it up on AMAZON or SMASHWORDS.

About the novella:

After seventeen years of adventuring, Bevel Dom and Kintyre Turn are finally returning home.

Forsyth Turn—brother to Bevel’s long-time questing partner and newly Paired lover—has left both Hain and a hell of a lot of responsibility behind. He’s bequeathed the Shadow’s Mask and position of the king’s spymaster to Bevel, and the seat of Lysse Chipping to Kintyre. It’s a lot to take on, and it will mean an end to questing forever if they do.

But it might also mean a chance for Bevel and Kintyre to find a Happily Ever After of their own.

Unfortunately, Turn Hall seems to be infested with eligible young maidens out to snatch away the freshly returned Lord of Lysse, determined to destroy the fragile happiness that Bevel has built. Faced with more decisions than he was prepared for, Bevel battles with foes unfamiliar, making him wonder if life on the road really wasn’t all that bad.

But if there’s one thing Bevel Dom isn’t afraid to do, it’s fight for the man he loves.

An Accidental Turn novella set between The Untold Tale and The Forgotten Tale, Arrivals follows Kintyre Turn and Bevel Dom as they step into Forsyth’s vacated life and face the surprising responsibilities he’s left in his wake.

Not sure you’re all caught up on the series? Check out the suggested reading order here, and don’t forget you can still grab your FREE copy of the first book in the series, THE UNTOLD TALE, by signing up for my newsletter.

JM Frey“ARRIVALS” is out!
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I got LaLaLanded… sort of?

(Except, in the Oscars it was Moonlight that was robbed, and in this analogy it was LaLaLand?)

So, I wrote a feature film. It’s called “To A Stranger” and for the past year, I’ve been submitting it around to screenwriting competitions and film festivals. I’m quite pleased to say that it was named an  Official Selection for the NEU WORLD INTERNATIONAL FILM FESTIVAL, named an Official Selection and recieved an honourable mention with the DEPTH OF FIELD INTERNATIONAL FILM FESTIVAL, and was an official Quarter-Finalist for the CARMESI HOUSE INTERNATIONAL SCREENWRITING CONTEST FOR DIVERSE VOICES.

On Wednesday  March 15th, while having the great pleasure to be reading at the at the ChiZine Reading Series event in Toronto, I was pleased to receive an email from the Canada Film Festival informing me that my screenplay had won a prize, and to click the link to the list to find out which. Overjoyed, I told the folks around me, and then put away my phone – I was still at the reading event, after all, I didn’t want to be rude. I figured once I got off stage, I could read the list and see what I won, and share it with everyone at the event.

When I reopened my phone, it was to a second email profusely apologizing and saying that I’d been sent the congrats email by mistake.

I was bummed, but I thought: “Oh well. They picked someone else instead of me, I can handle that. They just informed me by mistake.”

But when I kept reading, I started to get angry. Because this is what it said:

Our deepest apologies for the mistaken email announcing you were a winner. 

This year we have condensed our winner amounts and only awarded 26 winners. Last year we awarded 56. You were chosen as a finalist for a winner in the categories of either Royal Reel, Rising Star, or Award of excellence. But we are no longer awarding those. This email was sent in error but want you to know that you script was highly scored and well deserving of an award. Unfortunately we are unable to award every single screenplay submission. 

We are transitioning and during this time mistakes happen and we are so very sorry for the false email. Please let us know if there is anything we can do to compensate for this error. “

Which, you know what? Is insulting.

“Oh, you won, but actually we eliminated the category so you didn’t win after all?”

Are you serious?

Firstly, as someone who pays to enters these competitions, this feels like a crass money grab. And second, as someone who volunteers every year to judge a film festival, I was livid on behalf of the judges who had clearly gone to all the hard work of choosing the award winners, only to have the categories eliminated after all the work is done.

I understand the need to be more efficient, to streamline a festival, to make changes. But to do so not only in the midst of a festival after entries were submitted (instead of between years), but to do so after winners have been chosen? It’s very disrespectful.

I shot an email back, very politely expressing my disappointment but understanding, and asking what award I would have won. I was told it was “Rising Star” and that they would be offering me a refund on my entry fee.

I replied, again politely, that honestly speaking, I would much rather have the award than the refund. $25, or the ability to put a laurel with “Rising Star” on my screenplay as I shopped it? The laurel is much more important to my screenplay and career than my $25. And, I pointed out, since they’d already deliberated and assigned the awards, it didn’t seem too strenuous to just… give out digital laurels. I thanked them for the refund offer, but repeated that the laurels are more important to me.

Besides, I wondered, but didn’t ask, were they refunding everyone? All the people whose categories were eliminated? I hoped so. I hoped that meant  that thirty other people were getting their money back, and not just me because I was the one who complained. Though, again, I don’t see the point in slashing categories where all the work was already actually done – including informing the winners  – in favor of having to give back $750.

All I got back was silence for over a week. I sent another email politely asking which decision they’d come to – the awards or the refunds, and was curtly informed, by an unsigned email, that my refund had already been put through. (That was Friday. Today is Monday, and there is no refund on my account yet, but it may take a few business days, so I can be patient about that.)

I replied that I appreciated the refund, and inquired again about what decision had been made about assigning the awards after all. Again, silence. To date, silence.


I won an award, but didn’t. I’m extremely pleased and flattered to be named a festivals’ “Rising Star” screenwriter, as I think this is a very important thing to be out in the world and Google-able to people who may be researching me or looking for fresh scripts, only it’s not going to be posted or found anywhere.  I assume I’ll get my $25 back, but I don’t want $25 – I want the laurels that I’ve earned, and been awarded. I want to honor the judge’s hard work, and recommend the festival to anyone else, but now I can’t and I never will.

It was extremely unprofessional of the festival to do this.

It’s extremely irritating, and saddening, and at the same time… all I can do is sigh about it. Because it’s still in their power to decide not to award the categories, and not in mine. Still, I don’t recommend submitting your work to the festival in the future, because who knows what categories they’ll eliminate mid-festival next year.

So. Um. Yeah. There it is. “To A Stranger” won a thing… and then it didn’t.

JM FreyI got LaLaLanded… sort of?
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