WORDS FOR WRITERS: The Value of Fanfiction

WORDS FOR WRITERS: The Value of Fanfiction

There’s been a lot of chatter on social media these last few weeks, recycling that trashy, self-aggrandizing, tired old “hot take” that reading and writing fanfiction is somehow bad for you as a writer.


Before we go any further, let me give a clear and definitive answer to this take:

Middle Finger on Google Android 11.0 December 2020 Feature Drop

No, reading and writing fanfiction will not make you and does not make you a bad reader or writer.




Why? Here’s the TL;DR version:


  • Reading and Writing, any kind of reading and writing, will make you a better reader and writer. And it’s enjoyable, to boot.
  • Fanfiction has been around as long as Original Fiction, so we’d know if there was any negative impact by now (spoiler alert: there isn’t.)
  • Practice is Practice, so matter what medium you get that practice in.
  • Comprehending and writing fanfiction is harder than writing original fiction because you have to hold the Source Media Text in your head at the same time as you’re reading/writing a different story. It improves your understanding of storytelling.
  • No hobby, no matter what it is, so long as it doesn’t harm anyone else or yourself, is bad. And that goes double for if you decide to keep it a hobby. Not every fanfic writer wants to write original fiction, and that’s just fine. Not every hobby has to be monetized.


Okay. But what do they mean by “fanfiction”?


“Fanfiction is fictional writing written by fans, commonly of an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator as a basis for their writing.”– Wikipedia


Basically – it’s when you take elements (setting, characters, major themes or ideas) of a Media Text (a novel, a movie, a podcast, a comic, etc.) and create a different story with those elements. You can write a missing scene, or an extended episode, or a whole new adventure for the characters of the Media Text. You can even crossover or fuse multiple Media Texts, or specific elements, to create a whole new understanding of the characters or their worlds.


Similar to fanfic, you can also create fanart, fancomics, or fansongs (“filk”), fancostumes (“cosplay”), and fanfilms. These are called Fanworks or Fancrafts.


Fanfiction is usually posted to online forums, journals, blogs, or story archives and shared for free among the public. Before the advent of the internet, fanfiction was often printed or typed, and hand-copied using photocopiers or ditto machines, and distributed for free (or for a small administration fee to cover materials) among fans at conventions, or through mail-order booklets (“zines”).


Fanfiction has existed pretty much since the beginning of storytelling (A Thousand and One Nights, Robin Hood, and King Arthur all have different elements attributed to them by different authors retelling, twisting, adding to, or changing the stories; there’s no single-origin author of those tales.)


There are billions on billions of fanfics out there in the world—and while a majority of them are romance stories, there are also adventures, comedies, dramas, thrillers, stories based on case files, stories about the emotional connection between characters when one is hurt and the other must care for them, historical retellings, etc. There are also stories for every age range and taste, though be sure to take heed of the tags, trigger warnings, and age range warnings as your browse the archives and digital libraries.


As a reader, it’s your responsibility to curate your experience online.


So why are people so afraid or derisive of fanfic?


People who are hard on fanfic say that…


  • It sucks.
    • Well of course it sucks! As it’s a low-stakes and easy way to try out creative writing for the first time, the majority of fanfiction is overwhelmingly written by new and young writers. Everything you do when you first try it sucks a little bit. I’m sure no figure skater was able to immediately land perfect triple axels ten minutes after they strap on the skates for the first time in their lives. No knitter has ever made a flawlessly perfect jumper on their first try. No mathematician has ever broken the code to send a rocket into space after having just been taught elementary-school multiplication. So why on earth do people think that new writers don’t need to practice? I can promise you that Lin-Manuel Miranda’s first rap was probably pretty shaky.
  • It’s lazy or it’s cheating.
    • Listen, anyone who tells you that writing anything is lazy clearly has not sat down and tried to write anything. Writing is tedious. It is It takes hours, and hours, and hours to get anything on the page, and then once it’s on the page you have to go back and edit it. UGH. There is nothing about being a writer—even a fanfic writer—that is lazy.
    • And anyone who tells you that trying to tell a fresh, new story within the limits and confines of a pre-existing world and have it make sense is cheating, then they have no freaking clue how hard it is to be creative with that kind of limitation placed on you. It’s harder when you have a set of rules you need to follow. What you do come up with is often extremely interesting and creative because of those limitations, not in spite of them.
    • The argument that using pre-made characters, settings, tropes, and worlds to make up a new story is cheating is also complete bunk. Do those same people also expect hockey players to whittle and plane themselves a whole new hockey stick from scratch before each game? No, of course not. And yeah, a baker can grow all their own wheat, grind the flour, raise the chickens and cows so they can get eggs and milk, distill the vanilla, etc. Or a baker can buy a box mix. Either way, you get a cake at the end of the process. Whether you write fanfic or original fiction, you still get a story at the end of the process.
  • It makes you a worse
    • * annoying buzzer noise * Practicing anything does not make you worse at it. And reading stories that are not edited, expertly crafted, or “high art” will also not indoctrinate you into being a bad writer. If anything, figuring out why you don’t like a specific story, trope, or writing style is actually a great way to learn what kind of writer you want to be, and to learn different methods of constructing sentences, creating images, and telling tales. Or you know, just how much spelling and grammar matter.
  • It’s not highbrow or thoughtful enough.
    • Sometimes stories are allowed to be just comfort food. Not every book or story you read has to be haute cuisine or boringly nutritious. You are allowed to read stories because they’re exciting, or swoony, or funny, or just because you like Anyone who says differently is a snob and worth ignoring. (Besides, fun silly stories can also be packed with meaning and lessons—I mean, hello, Terry Prachett, anyone?)
  • It makes you waste all your time on writing that can’t be monetized.
    • No time is wasted if you spend it doing something that brings you joy. Not every hobby needs to be a money-maker and not everyone wants to be a professional writer. You are allowed to write, and read, fanfic just for the fun of it.
  • It’s theft.
    • According to Fair Use Law, it’s not. As long as the fanfic writer (or artist, cosplayer, etc.) is not making money on their creation that directly impacts or cuts into the original creator’s profit, or is not repackaging/plagiarizing the original Media Text and profiting off it’s resale, then Fan Works are completely legal. So there.


How, exactly, does fanfic make you a better writer?




  • teaches you to finish what you start.
    • The joy of being able to share your fic, either as you’re writing it, or afterward, is a big motivating factor for a lot of people. They finish because they get immediate feedback on it from their readers and followers. Lots of people have ideas for books, but how many of them do you know have actually sat down and written the whole thing?
    • Fanfic is also low-stakes; there’s nothing riding on whether you finish something or not, so you have to inspire yourself to get there without the outside (potentially negative) motivation of deadline or a failing grade if you don’t get the story finished. You end up learning how to motivate yourself.
    • Fanfic has no rules, so you write as much or as little as you want, stop wherever you think is a good place to end the story, write it out of order, or go back and write as many sequels or prequels as you like. Again, it’s totally low-stakes and is meant to be for fun, so you can noodle around with what it means to write a “whole” story and “complete” it, which teaches you how you like to write, and how you like to find your way to the finish line.
  • teaches you story structure.
    • Before you can sit down and write a story based on one of your favorite Media Texts, you’re likely to spend a lot of time consuming that text passively, or studying it actively. Either way, you’re absorbing how and why Media Text structures the stories it tells, and are learning how to structure your own from that.
    • Once you’re comfortable with the story structure the Media Text you’re working in is told, you’ll probably start experimenting with different ways stories can be told, and find the versions you like to work with best.
  • teaches you how to write characters consistently.
    • Fanfic is really hard because not only do you have to write your fave characters in a way that moves the story along, but they have to be recognizable as those fave characters.
    • This means you have to figure out their body language, verbal and physical tics, their motivations and they way the handle a crisis (fight, flight, or fawn?), and then make up the details you may need for your story that you may never see on screen/the page, like how they take their eggs or what their fave shampoo is, based on what you already know about them. That takes some top-notch detective work and character understanding to pull off.
    • Once you know how to do that, just making up a whole person yourself for original fiction is a breeze.
  • Teaches you how to hear and mimic a character/narrator voice.
    • You have to pay close attention to how an actor speaks, or how a character’s speech patterns, dialect, work choice, etc. is reflected on the page in order to be consistent in your story.
    • And all of this, in turn, teaches you how to build one for yourself.
    • I have a whole series of articles here about building a narrative voice, if you want to read more on constructing an original voice for your narrator.
  • Teaches you how to create or recreate a setting.
    • Again, like achieving character consistency, or mimicking a character or narrative voice, it takes work and paying attention in order to re-create a setting, time period, or geographical region in a fanfic—and if you’re taking your characters somewhere new, your readers will expect that setting to be equally rich as the one the Media Text is based in.
    • Which, again, teaches you how to then go and build an original one for yourself.
  • teaches how to take critique.
    • Professional writing is not a solitary pursuit. In fact, most writing is not entirely the work of an author alone. Like professional authors work with editors, critique partners, and proofreaders, some fanfiction writers will sometimes work with beta-readers or editors as well. This are friends or fanfic colleagues who offer to read your fanfic and point out plot, character, consistency, or story structure errors, or who offer to correct spelling and grammar errors. This is a great way to practice working with editors if you decide to pursue a professional career, and also a great way to make friends and strengthen your community and skill set if you don’t.
    • Many fanfic sites offer readers the opportunity to leave a comment on a fic, rather like a reviewer can leave a review on GoodReads or Amazon, or any other online store or blog, for a novel they’ve read. Sometimes these comments/reviews are 5 star and enthusiastic! Sometimes they are… not. The exact opposite in fact. As you get comments on your fanfic, and learn to ignore the ones that are just mean rather than usefully critical, you gain the Very Important Skill of learning to resist firing back at bad comments or reviews, while enjoying the good ones. It also teaches you how to ignore drama or haters.
  • Teaches you how to exist within a like-minded community.
    • While the actual writing part of writing is solitary and sometimes tedious, nothing is ever published into a vacuum, whether it be fanfiction or original. Besides your editing/critique/beta reader group, you will also likely develop friendships, a support network, and mutuals. It’s always great to uplift, support, cheer on, and celebrate one another’s accomplishments and victories, whether the writing is fanfic or original.
  • Teaches you that it’s okay to write about things important to you, or your own identity.
    • You can change a characters ethnicity, cultural background, sexuality, religion, or disabilities to match yours, and talk about your lived life through the megaphone of that character. Or, you can insert original characters based on you, your desires, and experiences.
    • Once you’re comfortable writing in your #ownvoice in fanfic, you can approach it in original fiction, if you like.
    • See my article titled Your Voice Is Valid for more on this.


What if I want to be a professional writer?


Notice how I didn’t say “real writer”. Any writer who writes any kind of story is a ‘real’ writer. I mean, pinch yourself—you’re real, right? The difference is actually between being an “amateur” writer (a hobbyist who does not write for pay), and a “professional” (who is paid for their writing). Just because you only play shinny on the street with your friends, or in a house league on the weekends, it’s doesn’t mean  you’re not still as much of a hockey player as someone who plays in the NHL.


Writing fanfiction before or at the same time as writing original fiction that you intend to sell is a great way to learn, or practice, everything I’ve mentioned above. If you read it widely, it will also expose you to different story telling styles, voices, and tropes than your reading of published fiction.


  • Can I sell my fanfic?
    • For fanfiction to remain under the umbrella of Fair Use Law, you cannot profit off your fanfiction. There’s some grey-area wiggle room around things like charging a small amount for a ‘zine or a PDF to cover administrative costs, but zero wiggleability around, say, selfpublishing your fanfic and charging heaps for it.
  • Can I “file off the serial numbers”?
    • “Filing of the series numbers” is when you take a fanfic you’ve written and essentially pull it apart, remove everything that’s clearly someone else’s Media Text, and reassembling the story so that it’s pretty much a completely original piece of creative writing.
    • Yes, you can sell these, provided your filing is rigorous enough that you aren’t likely to be dinged for plagiarism. It’s widely known that Cassandra Claire’s Shadowhunters was once Harry Potter fanfic, and that Fifty Shades of Gray was once Twilight But did you know that my Triptych started life as an idea for a Stargate Atlantis fic? There’s lots of stories out there that were once full fics, or the idea for the novel was originally conceived for a fandom, but written as original instead.
    • So long as you’re careful to really rework the text so that it’s not just a find-name-replace-name rewrite, you should be fine.
    • Be aware, though, that the agents and editors you might pitch this novel to know how to Google. They may discover that this is a filed-off story, and depending on their backgrounds and biases, might be concerned about it. There’s no need to inform them of the novel’s origin straight off in your pitch/query letter, but you may want to have a frank discussion with them about it after it’s been signed so they can help you make sure that any lingering copywrited concepts or characters are thoroughly changed before publication.
    • Should you take down the original fic-version of the novel while you’re querying/shopping it? Well, that’s up to you, and whether you’re comfortable with an editor/agent potentially finding it.
  • Should I be ashamed of my fic, or take it down, or pretend I never wrote fic?
    • What? Why? No! I mean, I have hidden some of my most immature work, but I’ve left pretty much my whole catalogue of fanfic online and I don’t deny that I was/am a ficcer. Why? Because it’s a great repository of free stories that people can read before they buy one of my books, so they can get a taste of how and what I write. Also, you will be in good company. Lots and lots of writers who are published now-a-days started in fandom, including:
      • Steven Moffat
      • Seanan McGuire
      • Rainbow Rowell
      • Claudia Gray
      • Cory Doctorow
      • Marissa Meyer
      • Meg Cabot.
      • Naomi Novik.
      • Neil Gaiman.
      • Lev Grossman.
      • E. Hinton.
      • John Scalzi
      • The Bronte Sisters
      • Andy Weir
      • Sarah Rees Brennan
      • Marjorie M. Liu
      • Anna Todd
      • and of course, J.M. Frey


How fanfic can harm.


Like with anything else, there are ways that reading and writing fanfiction can actually harm you, or others, but it has nothing to do with the reading or writing of fanfiction in and of itself.


  • Some creators may prefer that you don’t (and may or may not follow up with legal action).
    • Anne Rice famously went after fanficcers in the 90s who wrote fanfic of her work, handing out Cease & Desist notices like confetti.
    • 99% of creators don’t care. Those who do will generally have a notice on their websites or social media politely asking fancreators to refrain. Mostly this is due to their general discomfort over the idea of anyone else getting to play in their worlds. The best thing to do is respect that request, and find a different fandom to write in.
  • Flamewars and fandom fights leading to bullying and doxing.
    • Regrettably, just like any other community filled with people who have different favorites, opinions, and preferences, there will inevitably be clashes. It’s up to you to decide how to react to negative interactions, and how to model positive ones.
    • Don’t forget, you curate your online experience, so don’t be afraid of that block button.
    • Also, don’t be the jerk who goes after people for liking different aspects of the fandom. Everyone is entitled to interact and like a Media Text their own way. “Don’t yuck my yum,” as they say.
  • Trying to make money on other people’s IP/Media Text (law suits, etc.)
    • It doesn’t belong to you, so don’t try to make money on it.
    • There’s a grey area here in terms of selling prints/plushies/jewelry/etc. and there’s no hard line about where one copyright owner will draw the line, and another won’t. Warner Bros. owns the film rights for both Harry Potter and Hunger Games, but I’ve seen Harry Potter-themed bars spring up while fans wanting to make Hunger Game fanfilms have been shut down. A friend of mine sells hand-made fandom-inspired items at cons—there is no rhyme or reason to what she gets told to stop making and what she’s left alone on.
    • Best thing to do if you’re told to stop is just so stop, move on, and find a different fandom to be active in.
  • Writing Real Person Fanfic (“RPF”) can be considered a violation of consent.
    • This article sums it up pretty well, but basically… if you decide to write RPF, be aware that they person you are writing about is a real person, with real thoughts, and emotions, and they may feel violated by RPF. If you decide to write it, never send it to the people it’s about, and always clearly tag it so other can choose to engage with it, or avoid it.
    • Also be aware that it could ruin their love for what they do. For example: the friendships between the members of 1Direciton became strained and the band eventually disintegrated because people wouldn’t stop sending band members smutty stories or art of them having sex with one another, and it made them too uncomfortable to continue in the band.
  • Showing/sharing fanfic & fanart outside of its intended context. Fanworks are for fans, and there are definitely issues if…
    • It’s shown to celebrities/actors/creators.
      • Shoving your fantasies onto the people who create or portray your fave characters is rude, and wrong, and also kinda gross. If they seek it out themselves, that’s one thing, but the same way you wouldn’t throw it at a complete stranger, don’t throw it at them. You may love the characters these people play, but they are not their characters, and they are not your friends.
      • It may also really weird them out and ruin their love for what they do.
    • it’s shown to writers working on the series.
      • There was a famous case where a fanficcer sent a story to a novelist, and the novelist was accused of plagiarism by the ficcer when their next novel in the series resembled the plot of that fanfic. There was a whole court case and everything.
      • Because of this, writers of TV shows, books, etc. don’t want to (and often times, legally can’t) read your fanfic. They don’t want to get accidentally inspired by what you’ve written, or worse, have to throw out something because it resembles your fic too closely. Just let them write their stories the way they want, and if they choose to seek out fic, they will.
    • it’s mocked by celebrities.
      • I’m not letting Alan Carr and Graham Norton off the hook. If it’s super rude and gross to shove fanworks at actors/writers/creators when you’re a creator, then it’s doubly rude for anyone to take a story or art made for a specific audience (the fans), by a specific community (the fans), lift it out of it’s context, and invite the public to mock it while also shoving it at the actor/celebrity in a place where they are literally cornered and can’t leave (i.e. the chat-show sofa). Man, it really steams me up when they do that. It’s rude and it’s tone-deaf, and it’s not
      • And most of the time they do it, they don’t even ask the artist or writer for permission, first, which is just…. Uuuuugggghhhh. It may be fanfic, but it was still created by someone, and you should always ask permission before publicly sharing something created by someone else.


In Conclusion


If someone tells you that reading or writing fanfic is bad for you as a creator, tell them to get bent.

Famous Fanfic

  • Hamilton by Lin-Manuel Miranda
  • Wicked by Gregory Maguire
  • Wicked: the Musical by Stephen Schwartz
  • The Phantom of Manhattan by Fredrick Forsyth
  • A Study in Emerald by Neil Gaiman
  • Sherlock by Mark Gatiss and Steven Moffat
  • The Dracula Tape, by Fred Saberhaugen
  • Paradise Lost, John Milton
  • Inferno, by Dante
  • The Aeneid, by Virgil
  • Ulysses, by James Joyce
  • Romeo & Juliet, by William Shakespeare
  • The Once and Future King by T.H. White
  • A Connecticut Yankee in King Arthur’s Court, by Mark Twain
  • The Three Musketeers, by Alexandre Dumas
  • Pride & Prejudice & Zombies, by Seth Grahame-Smith
  • Phantom, a novel of his life by Susan Kaye
  • …and so many more.


Find more WORDS FOR WRITERS articles here.

JM FreyWORDS FOR WRITERS: The Value of Fanfiction
Read more

2019 Writing Roundup

2019 Writing Roundup

The new year is here, and with it everyone is talking about what they wrote this past year. The last quarter of 2019 was a brutal rollercoaster for me, emotionally and personally, so it’s good for me to have the chance to sit here and reflect on what I accomplished and the good things that happened too.

2019 started with receiving a grant from the Toronto Arts Council for The Maddening Science – said grant went to research materials for the novel, a new computer, printer, and keyboard, and paying off some debts. But 2019 also started in a place of utter exhaustion, having slammed through writing, editing, and publishing five big novels in three years, as well as rewriting a feature film and completing the scripts for three seasons of a webseries.

I was also working two dayjobs – one first thing in the morning, for an hour and a half, and then a standard eight-hour shift in the evenings which got me home at around 10pm – so my sleep schedule was a mess and I was having trouble not only making time to write, but concentrating when I did have the time.

Happily, I’ve now had the opportunity to rest more, and I’ve had the chance to begin to refill my creative well again. Even more happily, left those dayjobs and am at the moment writing full time. I even got to reclaim my writing space by no longer needing a roommate.

I’m not quite there yet – turns out finishing two series in four years really takes it out of you – but I’ve begun to make preparations to sit down and begin to spin out a new novel. In the mean time, I’ve got lots of irons in the fire, as you’ll see.


The first third of 2019 was dedicated to rewriting The Skylark’s Sacrifice a second time. I’d rewritten it in the last third of 2018 and my editor ended up agreeing that while the rewrite was exactly what she asked for, we should not have gone down that street in the first place. It was what was asked of me, but it didn’t work. So I took it back to the drawing board, and started the re-write all over again.

I also published WORDS FOR WRITERS: The DO-ING Trap.

I finished the edits/polish on A Woman of the Sea, which I had begun in October 2018 and loaded the book onto Wattpad in preparation for serializing it.


I spent February rewriting and jobhunting. I tried to write a short story and Did Not Do Well. It’s half done and likely to end up on the Pile Of Unfinished Tales.

At least I got some new words on the page with WORDS FOR WRITERS – Beta Readers.

And I began releasing A Woman of the Sea a chapter at a time on Valentine’s Day.


I completed the Skylark rewrites and handed them over to Reuts Publications.  I also published WORDS FOR WRITERS – From Signing to Signing.

At this point I tried to start The Maddening Science, the book I received a Toronto Art’s Council Grant for in 2018, and bashed out a few chapters and a few scenes. But something was off about it, and I couldn’t pinpoint why, so I kept going into the file and only put a few hundred words in here and there. I couldn’t really sit down and dig in, and because I don’t believe in Writer’s Block as a mystical magical reason for why people can’t write (there are always reasons), I had to step back to try to figure out why I was struggling. I assumed it was probably because I was in the middle of job interviews and decided to try again later.


I started a new copywriting job, leaving my other two dayjobs, and it sucked up all my brainpower and creativity and made it very hard to want to sit down and compose yet more words at the end of the day.

I resumed working piecemeal on The Maddening Science, pecking out what I could one molasses-slow sentence at a time. I realized that the incidents in the news regarding the current political comment and the toxic white supremacist misogyny that is rampant in our society today has made it very hard to figure out how to tell a responsible story about a supervillain as the protagonist.

I’m still working on that. In the mean time, while I figure out how to restructure the tale, the book and the progress blog are on hiatus.


Still brain-dead from work, I only managed to bash out WORDS FOR WRITERS: How do social media and writing/publishing work together?


There were some final edits on The Skylark’s Sacrifice to be discussed, but I really did nothing this month beyond marketing pushes and watching all the webseries I judged for TOWebfest.


The director of my feature film, To a Stranger, was going to start shopping the script around to executive producers, so before he did that I got some actorfriends together to do a table read. The read, and their feedback, revealed some character motivation gaps in the film, and I set about organizing their notes and figuring out how to solve the issues.

I also wrote and published WORDS FOR WRITERS – How To Write a Synopsis.

This was also the month of TOWebfest, the festival itself, and I spent a lovely day with fellow creators and spoke to some executive producers about my own webseries to try to garner interest.

I was a guest at Pretty Heroes Con for the first time and LOVED it. It’s great to celebrate strong female leads in SF/F and I loved Sailor Moon as a kid, so I was in nostalgic nirvana. It was lovely to introduce those Girl Power-loving fans to The Skylark’s Saga.


I restructured and rewrote To a Stranger, added extra characters and extra scenes to clear up some character motivation in the screenplay. It’s now back with the director and I hope to hear that he’s got a production house and an Exec attached to the project soon.

I appeared at FanExpo Toronto to do some panels, sell some books, and judged the short fiction contest. I also wrote and published WORDS FOR WRITERS: How to Create a Pitch Package.


The Skylark’s Sacrifice was published! Yay! I had a wonderful launch party at Bakka Phoenix, and got to simultaneously launch the incredible book trailer for the duology animated by Elizabeth Hirst to a song by Victor Sierra. Friends Adrianna Prosser and Eric Metzloff, and Danforth Brewery made it extra special.

I also got to read at Word on the Street, which was been a career-long dream, reading on the new Across the Universe Stage.

However, September was also the month when I lost the copywriting job. I saw it coming, so I was shocked when it happened and how it went down, but not surprised. I wasn’t fitting in well with the team, the original project I had been hired for had been cancelled by the execs, work was being taken away from me and given to freelancers, and I didn’t have the training they wanted (though that makes me wonder why they hired me in the first place.) In retrospect it’s been a blessing, as the workplace was not at all a good fit for me and was slowly becoming toxic, and I’ve had lots of time to get my creative life in order as I jobhunt.

Just a few days after I was fired, on my 37th birthday, I won a Watty Award for A Woman of the Sea. Happy birthday to me! I was offered a place among the Wattpad Stars program and accepted – and wow, is there a lot of paperwork for that – and I’m still trying to figure out what benefits the program offers. (Though I’m pretty chuffed with my free Canva Premium subscription!) A Woman of the Sea was featured on the home page as an Undiscovered Gem and as of today has about 82k reads. Whoa!

I also wrote and published WORDS FOR WRITERS: How to Plan a Series.


I spent most of the month sleeping and crying and working through how I felt about getting fired. When one identifies oneself as a writer, to finally get a job in writing was a thrill and felt like a confirmation that although I was struggling with my next book, I was a writer and I’d get through it. Being fired from the job – even though the reason was an exec decision to eliminate my project and thus my role – felt like a very personal blow. I wasn’t a writer after all. (Or at least, that’s what it felt like).

This had me thinking long and hard. Especially about where I wanted my writing career to go next – as much I’ve been writing in the realm of SF/F the past decade, I’ve begun to realize that was I really am is a Character-Driven Romance writer. Romance set in spec fic and fantasy realms, sure, but Romance and Character Work are my wheelhouse and how I should be selling myself.

This realization has been pretty freeing because it means that the frustrations and roadblocks I’ve been coming up against can maybe be dissolved by reframing my brand and rethinking my career map.

Wattpad added the sample of City By Night that’s on Wattpad to their Halloween Reads list on the homepage and I decided to put the whole novella up on the site for people to read. Read it now, though. It won’t stay up forever as the eBook rights to the novel are signed with an indie publisher. This is just a limited-time promotion.

And knowing that readers were asking what I would be posting next on Wattpad after A Woman of the Sea, I rejigged Triptych for the site and started serializing it from the start. You can read it here. This story also won’t stay up forever, for the same reason.

I also started serializing Words for Writers on Wattpad. I won’t be copying over all 75+ articles I have on my website, just the ones that are specifically useful for Watties.

I also polished a webseries and sent it to a producer with a major broadcaster after our convo at TOWebfest for consideration. I’ve followed up but there’s no reply. I’ll follow up again in January 2020 but I can pretty well assume that No Answer is my ‘No’ Answer.

I am thinking about maybe pitching it as a graphic novel in the future, though I’m going to have to reach out to my friends who write them for publishers to figure out how to put at pitch together.


In 2017 I handed over a YA contemporary re-telling of “Northanger Abbey” to my agent, and it was lukewarmly received by both her and the handful of editors she showed it to. It was then shelved for possible future reworking.

In the first part of the NaNoWriMo month, I decided to tackle this reworking, and I was still wrestling mentally with The Maddening Science. This reworking was inspired a lot by reading Red, White & Royal Blue by Casey McQuiston in October, and realizing that the tone I’d been going for with my narrator hadn’t been irreverent or GenZ-y enough for the story I was trying to tell, and not grounded enough in the technologies and social media that my modern-day Catherine Morland would have access to.

I reworked the Pitch Document for the novel, now currently called “Title TBA”, and got to chapter seven during NaNo. I’ve got some thinking to do about structure for the novel, and how far into using Social Media As A Storytelling Tool I want to go with the idea, but generally speaking I’m pretty pleased with the result of the rewrites.

Partway through NaNo, it occurred to me that there was another story that my Wattpad readers were asking for, and one that would be a lot of fun to write. In A Woman of the Sea, my fictional Regency-era  Jane-Austen-analogue authoress Margaret Goodenough writes her debut novel “The Welshman’s Daughters”. As I describe this non-existent novel in A Woman of the Sea, it’s a Gothic romance that’s very Elizabeth Gaskell-and-Jane Austen-esque in terms of it being a character study driven romance, with some of the fun high melodrama and gothic tone of Ann Radcliffe. And, in the world of A Woman of the Sea, it’s the first queer kiss in Classic Western Literature.

A handful of readers have asked where they can find this book, or have confessed to going to the library to ask for it, only to learn that it’s not real. I made it up.

And I thought… well, why not make it real?

So I’m working on the pitch doc and the first chapter now, to see if this is something I want to pursue. I hope it will, but I think I still need to take time to rest before I really push into it.

And I still have the “Title TBA” rewrites to complete.


I published WORDS FOR WRITERS: How Do I Get An Agent?, and spent the rest of the month just trying to chill. I’ve become a bit of a reluctant reader, so I am trying to push myself to read a little each day, to remind myself why I fell in love with storytelling in the first place.

A Woman of the Sea was turned down for Paid Stories, unfortunately, because of the structure of the romance. The Stars Team explained that romance stories like this one, with one romantic partner in the first half of the book, and a different one in the second (a la Brigit Jones’ Diary) doesn’t tend to do well on Paid because readers are reluctant to shell out for a romance where they don’t meet the HEA partner until later. It’s a disappointment to hear, because I was really hoping that this might become a viable stream of income for me. At least the team who turned it down were very kind and expressed how much they loved the story in and of itself.

But no matter – onwards and upwards!

What’s ahead for 2020

Well, I’m not sure. This has been a really, really difficult year and I have really, really struggled with trying to figure out who I am and what I want, both in life and as a writer. Certainly, there will be lot of hard thinking about the future of my writing career. I have ideas that I love and want to pursue, but this post-firing-return-to-the-job-hunt-depression is a hurdle when it comes to carving out time to create.

However, I have some new opportunities on the horizon – conversations happening behind closed doors, as well as Divine Paradox Films still working toward filming To A Stranger, and Alpaca vs Llama shopping The Skylark’s Song as a teens animated series. And the webseries I wrote is under consideration with a new production team, so keep your fingers crossed.

Who knows, perhaps the rewritten “Title TBA” might be just the thing to propel my work into a realm where readers can connect with my work more easily. Though I had originally envisioned it as the first of a series, the more I work and think on it, the more I feel like it would be best as a stand-alone. I think it would slap a lot harder if it was a one-off.

And I am genuinely liking the plot of The Welshman’s Daughters, and all the research reading and viewing I am doing to get the tone and mood of the book right (please recommend me your favourite Gothic Romances – film, TV, or books!).

But I’m not going to rush anything. It’s nice to be able to remember how to putter with a book and have no looming, razor-blade deadlines hanging over my neck.

2020 will be, I hope, a year of renewed creativity, motivation, and the year where I complete at least one of the three novel projects I’ve started.

For now, I’m going to have a nap.


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JM Frey2019 Writing Roundup
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BOOK TRAILER – “The Skylark’s Saga”

BOOK TRAILER – “The Skylark’s Saga”

Robin Arianhod grew up in the shadow of a decade-long war. When she’s shot down behind enemy lines, her arch-nemesis The Coyote promises that he’ll help her escape on one condition:
she takes him with her.

Find out more about the books |  Animation: Elizabeth Hirst | Music: “Skylark’s Song” by Victor Sierra

“The Skylark’s Song” and “The Skylark’s Sacrifice” are published by REUTS Publications. Covers designed by Ashley Ruggirello. Novels by J.M. Frey.

JM FreyBOOK TRAILER – “The Skylark’s Saga”
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“The Skylark’s Sacrifice” – Bonus Epilogue

“The Skylark’s Sacrifice” – Bonus Epilogue

by J.M. Frey

This short is very spoilery.
Only read this if you have already finished both books in The Skylark’s Saga duology.

Robin coughed and shoved her work goggles up onto her forehead, only faintly amused by the curl of dark smoke that puffed by her face. The edges of the black cloud swirled into nothingness, stirred by a second violent exhale.

“Gee, thanks, WINGS,” she sighed once she had her breath back. She smeared the back of her thick work glove along her cheek. It came away black with soot and mechanical grease, burnished with oily rainbows under her amber work lamp. 

Her skin was hot, but it didn’t feel like she’d been burnt. The faint acrid scent of singed hair lingered in the air, and she wondered how much eyebrow she had left. If that wasn’t where the smell was coming from, then she must have shortened the wisps of hair that always clung to her ears when she tried to put her hair back in a messy bun.

Gently, soothingly, she patted the casing of the rocket pack splayed open on the workbench like a flayed bird. 

“Look, I don’t like taking you to pieces like this any more than you like being taken to pieces,” Robin crooned. “But you are full up with rust and other, uh, stuff, and . . . just . . . I want you to be healthy, you understand? So no more spitting up on me.”

The casing made the soft pinging sound she liked so much as it cooled down.

  “Please?” she added, for good measure, because WINGS was the type of machine that sometimes needed a bit of sweet-talking, as well. She brushed her fingers gently across the lines of script stamped into the casing’s side—Frankinese, Saskwyan, and Klonnish—digging her fingernail into one of the grooves. Velph would have teased her for talking to the pack, for calling it a “her,” and for asking nicely. It would have been annoying, and haughty, and a little bit snide. And she would have given anything for him to be needling her right now.

“Keep nattering to that thing, and it might just talk back,” said a voice from the doorway. Robin’s heart leapt into her throat, and she whirled around, hope building against grief and— 

The entire frame was blocked by Taddeus Thorne. 

Not Velph.

Never again Velph.

Robin swallowed what was left of her heart and offered Thorne a shaky smile, blinking hard, forcing herself to see the person in front of her, and not the one she’d been hoping for. Not the one she would never see again.

Thorne had voted himself Robin’s bodyguard, and had made her security measures his personal mission ever since . . . well, just since. He followed in her footsteps exactly like a big, mountain-sized shadow. And now he was throwing said mountain-sized shadow from the hallway onto Robin’s worktop.

“Wouldn’t mind if she did speak to me,” Robin admitted, pulling the gas lamp closer to the worktable to dispel the shadows. She leaned over WINGS to peer at the fuel hose. It was still intact, so the small backfire hadn’t happened inside the casing—ah, the output ports, then. Robin grabbed the lamp’s flexible neck and yanked it after her as she crouched at the end of the bench, staring up into WINGS’s belly. “At least then she could tell me what was wrong. She’s rattling something awful when I climb to cruising altitude, and that pretty song she makes when the blades are deployed is a bit strained. I’m afraid that . . . some, uh . . . you know . . . when I . . . I think some, uh . . . got into the casing, and it’s all gummed up with . . .” blood, she wanted to say, but couldn’t. Brains. Flesh. “You don’t normally bother coming inside, though. Were you worried about the backfire? Or did you—?”

Robin turned to Thorne, and the rest of her words jammed up behind her teeth. Thorne’s expression was completely poleaxed. His pale eyes rounded comically at the sight of her face, and he doubled over, wheezing with surprised mirth. He laughed like a mountain, too—rumbling, and gravelly, and shaking all over like an earthquake in the foothills.

Robin stared at the thatch of his dark, ashy hair and pursed her lips. “Har, har. I suppose I’m all-over soot?”

“Rosa will be unhappy,” Thorne chortled. “You have walked out halfway through dressing again.” 

“No, I didn’t. I—” Robin looked down at her attire to prove him wrong—and couldn’t.

Her heavy oilcloth work apron had taken the brunt of the messy blast, but he was right: she was wearing her good silk stockings and bloomers, her white silk chemise, and her corset—the blue one covered in feathered embroidery that Rosa insisted she wear when she was to be squeezed into one of those Klonn dresses built to emphasize the curves Robin didn’t have.

“You did.”

“Apparently. But I had a thought, you know? The intake manifold could be tweaked to—oh, and of course, there’s the rattling, which I think can be solved by scouring the—” Robin said. She turned back to WINGS, pushing her goggles back down over her eyes, and then paused, oilcloth gloves hovering over the pack’s innards. Another thought had occurred to her, like a god had reached into her head and flicked a propeller into motion, and she clicked her teeth closed on the rest of what she’d been about to say. Instead, she added: “You didn’t come in here because of the backfire.”

“No, Your Majesty.”

“I’ve forgotten something again.”


“Something important?” Robin asked, dread knotting underneath her sternum. She pushed her gloves down her wrists and yanked them off her fingers.

“Something important.”

“Hells.” Robin stripped off her work apron and goggles, and laid them over WINGS’s exposed innards like one would tuck a child into bed. “What?”

“The new Saskwyan ambassador arrived today. You have a carriage ride through the gardens to attend,” a second, feminine and unmistakably annoyed voice sounded from behind Thorne. He gave Robin an exaggerated wink, and then stepped aside and abandoned Robin to her fate. 

Maederia Rosa stood seething in the doorway, hands on her ample hips, lipstick an angry red slash across her face. “Your Majesty,” she added, which was really—when coming from Rosa—just another way of saying, “You idiot.”

“Oh, buggering Omens,” Robin said. “I’m sorry.”

“You are always sorry,” Rosa rejoined. She held out her hand, finger flickering at Robin in her patented “Come along, now, dear” move. “And yet you continue to wander off to your workshop mid-task. Robin, I swear, as your Mistress of the Glass, I will chain you to your throne if you do not begin to take this seriously. It has been months now—”

“I do take it seriously,” Robin said, crossing the room and squeezing between Rosa’s ample frame and the doorjamb. The hallway beyond was rife with stabbing yellow sunlight, and Robin winced as her eyes adjusted from the dimmer glow of her private workshop’s concentrated lamplight. “And you would never chain me.”

“Try my patience, and you will soon see, Your Majesty,” Rosa said. “I will walk you around the palace with a golden chain attached to your wrist, like a pet bird.” Rosa reached into one of the seemingly endless array of pockets she secreted into her bustles and pulled out a comb. “Now, march.”

“That would be undignified,” Robin said, walking down the hallway, as ordered, all the same. If there was one thing that Rosa had discovered—to Rosa’s distinct advantage and Robin’s disadvantage—it was that Robin had been a soldier in the Air Patrol long enough that an order barked in just the right tone would always make her body leap into motion before logical thought caught up.

Rosa reached out as Robin passed her and, with great practice, pulled on the leather thong tying back Robin’s hair. The bun tumbled out. Rosa matched her pace to Robin’s, and set about trying to tame the tangle of white locks into a smoothly hanging sheet, feet moving in perfect tandem to Robin’s own.

Thorne followed after them like a rowboat caught in the jetty of a first-rate ship of the line, as helpless to resist Rosa’s nagging as Robin was, bemusement in the lines of his eyes.

This is undignified, Your Majesty,” Rosa corrected. “I am sure that no other Queen of Klonn has ever had to be chased all over the palace to properly complete her toilette. Uhg! Soot! Black soot in your white hair.”

Rosa attacked the locks beside Robin’s ears with plenty of vigor, and a handkerchief that had materialized from her bodice.

Hair smoothed, Rosa moved around to Robin’s front, walking backward in her voluminous skirts and simultaneously, it seemed, putting away the comb to retrieve a damp, rose-scented cloth from her bustle (Where was she hiding that, that it didnt leave a wet stain on the brocade?). She used it to wipe clean Robin’s face and neck, and then swapped it out for the contents of another pocket, pulling forth a fabric roll filled with what sparing cosmetics Robin would suffer. The brushes had already been dabbed in the various powders and creams and primed for immediate use, so all Rosa had to do was slip them out of their slots and attack Robin’s face.

“Hey! You’re getting really good at that,” Robin said, eyes on Rosa’s hem as she moved smoothly down the hall, hands flying across Robin’s cheeks. “You used to trip all the time.”

“I have had a lot of practice of late, Your Majesty,” Rosa said with a smirk. The former zentapi madam always wore her hair pinned back in a pile of red-tinted corkscrew curls coiled at the nape of her neck. One of them had come loose and was dangling right along her nose. She kept trying to blow it aside, but it stubbornly refused to yield. Robin laughed, and pushed it back behind Rosa’s ear for her. “Thank you. And do not smile. You will ruin the lipstick line.”

Robin bit the insides of her cheeks and kept her mouth still as Rosa painted on the glossy, golden color that she claimed complemented Robin’s bronze skin. Then, finished and apparently satisfied—for now—Rosa secreted away the cosmetics and held out Robin’s court goggles. 

Right, about to be seen by the rest of the hullabaloo, then, Robin thought. She paused to don them, and they resumed walking.

At the first turn in the hall, they were ambushed by a pack of companions-in-waiting, armed with underpinnings and a dress. 

“Traitors!” Robin teased as a pair of sharp fingers dove in to finish the half-completed task of lacing up the wretched corset. She thought they belonged to Drienna, but there were so many companions-in-waiting, and they seemed to be kept in such constant rotation, that she couldn’t be sure. 

“Squeeze me all you like, girls,” Robin wheezed, “you’ll never force me to have a waist.”

“Careful. She may take that as a personal challenge, Your Majesty,” Grier replied with a cheeky wink. They were standing to the side, Robin’s belt in hand, waiting for their turn. Grier was one of the few people who had known Robin as the Skylark back in the zentapi, before she had become the Vigilante Queen. They were also one of the few who was comfortable enough to make sport with her like this.

“Just you wait,” Rosa assured Robin as she helped Drienna sweep a sea of gold brocade over Robin’s head. “One day, we will feed you up enough that you will lose all that desperate, wartime skinniness, and all that muscle in your stomach will turn soft and sweetly rolled.”

“And then, without the upper-body strength to pilot WINGS, I’ll fall right out of the sky,” Robin countered, just as gently.

As Rosa had made her opinion on the queen’s flittering about amid the clouds on a solo, weaponized rocket pack perfectly clear on a number of earlier occasions (that opinion being an emphatic, “stop it,” to which Robin had answered, “no”), neither said anything more on the subject.

The whole cadre of companions surged back into motion, a tightly run ship at full mast, and sailed toward the reception hall. With each footstep, the pile of glimmering fabric swirling around Robin’s shoulders and tripping up her feet somehow transformed into fluttering, elbow-length slit sleeves, an uncannily folded poof of a bustle, and a fitted bodice that showed off her narrow torso to great advantage, despite Rosa’s attempts to fatten her up.

The toilette convoy finished just as they reached the great white doors that separated them from the gardens. Coming into harbor now, Robin the flight mechanic had somehow been transformed into Robin the royal, resplendent in a suffocating corset and delicate, dainty shoes that pinched ever so slightly at the toes.

Robin missed her Skylark goggles, which were softer and didn’t tug at her hair if it was up in an elaborate style. She missed her leather trousers and her solid, practical boots. She missed being able to roll out of bed and be ready for the day in mere minutes, instead of having to sit in front of a vanity for hours as Rosa primped and polished and positioned. She missed being treated like a soldier, instead of like a woman. 

But she wasn’t a soldier anymore. She was a queen, however reluctant. She had responsibilities, and expectations, and as much as it galled, Robin understood why this farce of fashion was necessary. To be taken seriously, she had to look serious. And there was nothing more serious than intimidating luxury.

That didn’t stop her from paring back the spending in the palace, however, rerouting it toward better causes—charities, assistance programs, infrastructure repair, hospitals, relief aid. Over the past months, it had become something of a fashion among the court to dress in something simpler, to re-wear or re-make a gown rather than buy a new one, to boast of how many ways one had helped the needy that week. It was shallow, and effacing, nothing more than courtiers copying the trend that Robin had set, but she didn’t care. 

It was working, it was helping, and that’s all that mattered.

The retinue paused at the door, and though Robin would have preferred to open them herself, she waited for the footman to swing it wide. Expectations. Bah.

Sunlight stabbed into the hall, blinding her for just a brief moment, despite the goggles. And then she was swept down the stairs toward the middle carriage in a line of three. Thorne murmured in her ear as she went, reminding her that the first carriage would hold her honor guard; the second, the ambassador and herself, with Thorne riding in the rear guard position behind the open-air cab; and the third would hold Rosa, and the ambassador’s bodyguard.  

Robin lingered at the bottom of the steps. The Saskwyan ambassador had his back to them, speaking in hushed tones with another Benne noble—likely his bodyguard—whom Robin couldn’t see clearly. Nerves wriggled in her stomach and she resisted the urge to fiddle with tassels at the end of her fluttered sleeves. She was absolutely dreading this. 

She’d spent her whole life being talked down to by the nobles of Benne, and now that she had finally managed to gain control of the yoke—inasmuch as a queen ever really had control—she was faced with someone who would, the moment they realized she was Sealie, do everything they could to take it away from her.

This is one Sealie who will not do as shes told. Not anymore, Robin reminded herself, gathering up her courage. The fact of her heritage had to come out, eventually. If not now, if not the moment the ambassador heard her speak, then likely when she pushed back on the allocation of the Wild Woods, or when the apiary expert she had invited to take employment at the Domed Palace arrived, or—gods of luck be on her side—when she managed to convince her parents to be among the first Saskwyan Sealies to move to Klonn with the promise of wagons and hives of their very own. One way or another, it would it would be discovered that the Vigilante Queen was Sealie; that she was Robin Arianhod, former pilot of the Saskwyan Air Patrol, thought to have been shot down over a year ago by the now deceased Coyote. And the instant he heard of it, King Auden would assume that he’d had suddenly had the good fortune, by the blessing of his All Mother, to become ruler of both nations; that Robin was a puppet who’d put herself onto the Klonnish throne for him.

I am Klonn, Robin reminded herself. I am of these people and for these people, as much as I am Sealie. As much as Velph was Sealie. And I will do right by his home, the people, and the duty he entrusted to me. She pressed her lips together hard in an effort to disguise their trembling. But by all the gods of all my ancestors, how I wish he was here to do this beside me.

The Saskwyan ambassador wore the flame-colored, formal uniform of a highly decorated Benne officer, rather than the bottle-green and fawn-brown she had worn during her time in the Air Patrol, and she wondered if he had ever actually served in combat. She’d requested that Auden send a veteran as liaison to help them parlay a treaty. But she realized now that she had no way to verify if her request had even been considered, let alone honored. Even if it had, this man could have been veteran of riding a desk, instead of a glider or a warhorse, and it would still technically count.

“Your Majesty?” Rosa prompted gently when Robin had hesitated too long on the final step.

“Right. Yes. Of course,” Robin said, sucking in as deep a breath as the corset would allow, throwing back her shoulders, and marching toward the waiting Benne.

Behind her, Rosa muttered something about needing another comportment lesson, but she followed dutifully nevertheless. One of the footmen blasted a soft note on a silly little copper trumpet, catching the attention of the mingling crowd of coachmen, gardeners, guards, and grooms.

The ambassador waved off the other Benne noble at its sound, sending them toward the third carriage. He then took a moment to adjust the lay of his clothes, seeming to self-consciously check himself over before he turned to face her, which was far more respectful that Robin had expected. He cared to make a good first impression, and she appreciated that. Closer up, she could see that his hair shone blond under his brimless cap, and his shoulders were broad, his figure trim—a former pilot, she decided, pleasantly surprised. Probably the son of a wealthy noble who’d never danced with the enemy—

The ambassador turned, cornflower-blue eyes shaded against the sun by his hand. 

His only hand.

“Omens!” Robin breathed. She came to a halt so abrupt that Thorne bumped into her shoulder. “Oh, by all the gods of luck and all the omens of delight, they sent Wade.”

“Who?” Rosa asked, leaning in close to whisper, flicking open a fan to hide their words from prying lip readers who might be hiding in the verge. “Wait, Wade Perwink, as in your—?”

“My pilot!” Robin said, and threw herself across the courtyard, rucking up her skirts to run straight at him.

“Your Majesty!” Thorne called as she barreled into Wade, but it was too late.

The ambassador was stunned, too afraid to do anything more than grab the Klonnish queen by the shoulder to keep her from ricocheting off his broad chest.

“I, uh, beg your pardon, Your Majesty. I don’t—”

“Wade!” Robin whispered, hissing up at him, filled with fizzing delight. A friend. The King of Saskwya had sent to bargain on his behalf one of Robin’s only Saskwyan allies, and he never even knew it. Oh, the fool isnt going to get anything now. “It’s me!”

Wade’s jaw dropped open, and his eyes popped wide. “Robin!” he gasped, though he had enough sense to keep his voice down. “What—how . . . ?”

Robin stepped back and grinned, grasping his hand between hers. Her own pilot’s scars were hidden by her gloves, but she could still feel his through them. “I told you once, in the air—make me king and I will find a way to end the war, didn’t I?”

Wade, stunned and pleased, just threw back his head and laughed.

Around them, Robin’s companions scuffled and whispered behind their sleeves, confused and gossiping. The grooms were too well-trained to react, while the guards were subtly wary, glancing to one another for reassurance or their cue. Rosa, exasperated, snapped her fan shut and stepped up so she could shield this private moment from view with her body, and Thorne moved in so close—in case he was needed—that Robin felt him tred on her train. There was a confused noise from the third carriage, the sound of someone slamming shut a door, and then the crunch of boots on the gravel path as Wade’s bodyguard decided it was time to actually do their job.

“Captain Perwink!” they shouted, and this voice grated up Robin’s spine. “Are you okay? What is the queen—?”

Fury, clean and clear, flooded Robin’s head, filling it with the angry buzz of bees. She jerked back, head whipping around, vision dark and red at the edges at the sound of that hated, hated voice. 

“Your Maj—”

“Move!” Robin shoved her friend to the side. It was rough, and she would have to apologize later, but right now, Rosa was between her and justice. Thorne caught Rosa around the waist, and they both stumbled back a step.

“Traitor!” Robin snarled, one hand balled in her skirts so she could stalk toward the approaching Benne noble, other hand pointed, accusatory, right between their eyes. 

Utterly taken aback by this wrathful accusation, Captain Catherine Renge stumbled to a stop, skidding in the gravel. Her face immediately drained of all color.

“Murderer!” Robin screeched, the dark ball of hate that had calcified in her gut when she realized she was trapped in Klonn forever cracking open and flooding her insides, crawling out of her mouth—vile, and hot, and wonderful in this exact moment.

“What?” Renge said, falling back a step, looking startled and confused, empty hands up in a plea of understanding. Around them, the queen’s honor guard, in their ice-blue uniforms trimmed in queen’s copper, closed ranks. “Me?”

“You!” Robin confirmed, and shoved her so hard Renge toppled over, still too surprised to understand exactly why the Queen of Klonn was attacking her. “Guards, hold her!”

Renge tried to scramble away, but two of the guards grabbed her arms and hauled her back to her feet. Robin was viciously pleased to see that her palms were flecked with blood from where she’d scraped them on the gravel, her hair coming loose from its perfect bun.

“What have I done?” she squealed in horror. “Your Majesty, I’ve just arrived. I don’t—Ambassador!” She turned to Wade for help, but he remained where he was, face pointedly turned away. 

This was between Robin and Renge. He wasn’t going to intervene. Whether  because Robin was queen, or because he already knew what Renge had done, Robin wasn’t sure. She had no doubt, though, that when they’d heard report of Robin’s glider going down, the heartless cow would not have been able to resist her brag.

Robin took another step forward, getting right in Renge’s face. Rosa wound her arm around Robin’s, trying to hold her back in as dignified a manner as possible. 

“Your Majesty, peace,” Rosa urged.

“Stay out of this,” Robin snapped.

“Think of the implications—”

“This woman is Captain Catherine Renge,” Robin said. 

The name shattered against the air like crystal thrown against marble. Robin’s throat burned to have uttered it. Tears, scalding and thick, choked her voice, gathered at the bottom of her court glasses, made her chin tremble.

Rosa gasped, her grip going lax in shock. Wade’s eyes bounced between Renge and Robin, pity for one and spite for the other clear in his gaze. Thorne rolled onto the balls of his feet, preparing for whatever order Robin might decide to give next. And Renge, the wretched bitch, sneered at this foriegn queen and her quivering hatred the same way she had once sneered at Robin as she dumped out a pot of perfectly good honey in sheer spite.

“Who?” Grier whispered, when it seemed that the horrified silence would drag on forever.

Robin swallowed hard, lifted her chin, and reminded herself that she was a queen now. She took no orders, and she was not one to be sneered at. “Catherine Renge sabotaged the glider of Robin Arianhod and Alistair Brigid, the last two Saskwyans to ever be shot down by the Coyote.”

Grier gasped, and Rosa let go of Robin’s arm and took a theatrical step out of the way.

“Your Majesty, please—” Renge babbled, face draining again of all color as guilt and realization set in. “You can’t know that!”

“But I do,” Wade growled.

“That was—I told you that in confidence!”

“In pride, you mean,” Wade corrected her coldly. “You were drunk, and you were pleased. You were celebrating.”


“That’s Captain Perwink to you!” Wade snapped. “I never wanted you in this entourage, and now I have the perfect reason to send you back.”

“You can’t!” Renge wailed. “I’ll be shamed! I can’t show my face—”

“Not until after it’s healed, at least,” Wade agreed.

“Wha-what?” Renge said, words tumbling to a halt.

But it was Robin who answered. She released her skirts. She balled her fists. She pulled back an elbow. 

And then, with a snarled, “This is for Al,” the Vigilante Queen punched the Saskwyan ambassador’s former bodyguard straight in the mouth.


Find out more about The Skylark’s Saga.


JM Frey“The Skylark’s Sacrifice” – Bonus Epilogue
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BOOK BIRTHDAY – The Skylark’s Sacrifice

BOOK BIRTHDAY – The Skylark’s Sacrifice

The Skylark’s Sacrifice
Reuts Publications, September 2019

Robin Arianhod is on the run. Trapped behind enemy lines, her only choice is to lose herself in the sprawling capital of Klonn. But hiding in the shadows is a disservice to the rocket pack she escaped with, and to the man she once considered foe. Instead, she’ll enact his plan, harness the incredible power of the pack, and stop the war from the inside.

Wanted posters stalk her every move as rumor fuels the Skylark’s rise, and her attempts at vigilantism attract the attention of more than just the city guards. Robin finds herself embroiled in the machinations of a mysterious underground rebellion—Klonnish citizens as tired of the war as she is.

But are they really her allies, or are they using the Skylark as bait? And can she really trust that her former arch-nemesis turned his coat? Or will the secret of his true identity lead Robin, and her newfound friends, to their deaths?

Rife with high-flying action, subterfuge, and deception, The Skylarks Sacrifice is the explosive conclusion to the saga of war-torn Saskwya, and the one pilot who can change it all.

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JM FreyBOOK BIRTHDAY – The Skylark’s Sacrifice
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